Spogliati, Protesta, Uccidi is one of the last CAM expansion I was waiting for! though I'm waiting to see the tracklist.
Also quite happy about La Polizia Interviene. Not a very well know composer but I like the two available 7" single tracks for this CAM soundtrack and it is nice to have this genre for a change. Is is conducted by Alessandro Blonksteiner, perhaps more well know (Guido & Maurizio de Angelis, Carlo Rustichelli, etc).
Spogliati, Protesta, Uccidi is one of the last CAM expansion I was waiting for! though I'm waiting to see the tracklist.
Also quite happy about La Polizia Interviene. Not a very well know composer but I like the two available 7" single tracks for this CAM soundtrack and it is nice to have this genre for a change. Is is conducted by Alessandro Blonksteiner, perhaps more well know (Guido & Maurizio de Angelis, Carlo Rustichelli, etc).
Hoi slint, how would you describe the Vasile, La Polizia Interviene? My first encounter with.
From what I gather on YouTube, this is much like Stelvio Cipriani.
Schifrin is more miss than hit in my case... I am still curious about Cipriani from this batch. Could be nice. But there just hasn't been any "wow" title for a while - there is at least 1 interesting title in each batch (Mancini and Jarre in previous months).
I recently bought the older CAM release of Spogliati, Protesta, Uccidi. Looking at the Quartet track list I don’t think the new tracks will make a better listening experience. I guess the main point of the new release was its absence from the market. Besides “Era La Tua Purezza” and “Drammi Su Di Noi” there’s very little to the score. The song is quite cheesy but tolerable. The chamber music like suspense tracks don’t do much for me because I know Maestro can do much better (for instance ”Ai Confini Della Follia (#2)” from Uccidete Il Vitello…, a brilliant piece of suspense scoring). All in all it’s an ok score but clearly not one of Maestro’s strongest works.
The reason why I also recommend the old release is the second score on the disc: “Quando L’Amore È Sensualità”. It’s one of the most unique works I’ve ever heard from Morricone: dark, mysterious, brutal and sensual. As you might guess from those adjectives, it’s also not the easiest or most pleasant listen. Here the chamber orchestration and atmosphere really works and the haunting vocals create wonderful uneasiness. Certainly recommended for fans of Maestro’s more obscure efforts.
