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Posted: |
Jul 19, 2015 - 1:12 AM
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By: |
The Thing
(Member)
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Here's the last section from the transcript posted in the NPR link earlier in this thread, with the significant bit in bold (the first bit is them still discussing Southpaw):
CORNISH: One more thing - this film was dedicated to composer James Horner. He did the music for the movie, and he died in a plane crash last month. What was it like working with him?
FUQUA: Oh, wow. James is - he was an incredible human being. He was a filmmaker through and through. He was one of the most gentle people I've ever met. Even the way he spoke was very soft and thoughtful. He was magical. And he had this childlike wonderment in his eyes, but he was an amazing artist, an amazing poet. And I loved him, and we became friends. And James was a family man. He loved his children. He called me on a Saturday, after he watched the movie, and I said I don't have any money because it wasn't a big budget movie. And he said to me, I love the movie. I love the father-daughter relationship. Don't worry about the money. I'm just going to do it. And he did it for nothing. He paid his crew out of his own pocket. And I just found out a couple days ago his team flew out here to Baton Rouge, and they brought me all the music from "Magnificent Seven" - he had already wrote it for me based on the script.
CORNISH: Oh, my God.
FUQUA: And he did it all off the script because he wanted to surprise me. And I thought it was a gift or something. And they all came out here and they said, Antoine, James wrote the music for "Magnificent Seven" already, and it's just glorious. And that's my memory of James.
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Posted: |
Jul 19, 2015 - 9:41 AM
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By: |
townerbarry
(Member)
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Here's the last section from the transcript posted in the NPR link earlier in this thread, with the significant bit in bold (the first bit is them still discussing Southpaw):
CORNISH: One more thing - this film was dedicated to composer James Horner. He did the music for the movie, and he died in a plane crash last month. What was it like working with him?
FUQUA: Oh, wow. James is - he was an incredible human being. He was a filmmaker through and through. He was one of the most gentle people I've ever met. Even the way he spoke was very soft and thoughtful. He was magical. And he had this childlike wonderment in his eyes, but he was an amazing artist, an amazing poet. And I loved him, and we became friends. And James was a family man. He loved his children. He called me on a Saturday, after he watched the movie, and I said I don't have any money because it wasn't a big budget movie. And he said to me, I love the movie. I love the father-daughter relationship. Don't worry about the money. I'm just going to do it. And he did it for nothing. He paid his crew out of his own pocket. And I just found out a couple days ago his team flew out here to Baton Rouge, and they brought me all the music from "Magnificent Seven" - he had already wrote it for me based on the script.
CORNISH: Oh, my God.
FUQUA: And he did it all off the script because he wanted to surprise me. And I thought it was a gift or something. And they all came out here and they said, Antoine, James wrote the music for "Magnificent Seven" already, and it's just glorious. And that's my memory of James.
And to think...there is no script change during filming? No Editing, Or Re Editing. Or even Music Editing?
We shall see just how much ends up or even matches up. Without a massive rescore.
At the most...The Theme will stand.
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Posted: |
Jul 19, 2015 - 9:41 AM
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By: |
townerbarry
(Member)
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Here's the last section from the transcript posted in the NPR link earlier in this thread, with the significant bit in bold (the first bit is them still discussing Southpaw):
CORNISH: One more thing - this film was dedicated to composer James Horner. He did the music for the movie, and he died in a plane crash last month. What was it like working with him?
FUQUA: Oh, wow. James is - he was an incredible human being. He was a filmmaker through and through. He was one of the most gentle people I've ever met. Even the way he spoke was very soft and thoughtful. He was magical. And he had this childlike wonderment in his eyes, but he was an amazing artist, an amazing poet. And I loved him, and we became friends. And James was a family man. He loved his children. He called me on a Saturday, after he watched the movie, and I said I don't have any money because it wasn't a big budget movie. And he said to me, I love the movie. I love the father-daughter relationship. Don't worry about the money. I'm just going to do it. And he did it for nothing. He paid his crew out of his own pocket. And I just found out a couple days ago his team flew out here to Baton Rouge, and they brought me all the music from "Magnificent Seven" - he had already wrote it for me based on the script.
CORNISH: Oh, my God.
FUQUA: And he did it all off the script because he wanted to surprise me. And I thought it was a gift or something. And they all came out here and they said, Antoine, James wrote the music for "Magnificent Seven" already, and it's just glorious. And that's my memory of James.
And to think...there is no script change during filming? No Editing, Or Re Editing. Or even Music Editing?
We shall see just how much ends up or even matches up. Without a massive rescore.
At the most...The Theme will stand.
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Posted: |
Jul 19, 2015 - 9:41 AM
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By: |
townerbarry
(Member)
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Here's the last section from the transcript posted in the NPR link earlier in this thread, with the significant bit in bold (the first bit is them still discussing Southpaw):
CORNISH: One more thing - this film was dedicated to composer James Horner. He did the music for the movie, and he died in a plane crash last month. What was it like working with him?
FUQUA: Oh, wow. James is - he was an incredible human being. He was a filmmaker through and through. He was one of the most gentle people I've ever met. Even the way he spoke was very soft and thoughtful. He was magical. And he had this childlike wonderment in his eyes, but he was an amazing artist, an amazing poet. And I loved him, and we became friends. And James was a family man. He loved his children. He called me on a Saturday, after he watched the movie, and I said I don't have any money because it wasn't a big budget movie. And he said to me, I love the movie. I love the father-daughter relationship. Don't worry about the money. I'm just going to do it. And he did it for nothing. He paid his crew out of his own pocket. And I just found out a couple days ago his team flew out here to Baton Rouge, and they brought me all the music from "Magnificent Seven" - he had already wrote it for me based on the script.
CORNISH: Oh, my God.
FUQUA: And he did it all off the script because he wanted to surprise me. And I thought it was a gift or something. And they all came out here and they said, Antoine, James wrote the music for "Magnificent Seven" already, and it's just glorious. And that's my memory of James.
And to think...there is no script change during filming? No Editing, Or Re Editing. Or even Music Editing?
We shall see just how much ends up or even matches up. Without a massive rescore.
At the most...The Theme will stand.
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Who cares what does or does not stand in the end, as long as it was already recorded and we get every second on CD.
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Gregson-Williams said he was writing the score to "Southpaw" in one interview. shortly thereafter Horner was announced.
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Don't bother watching it -- it adds nothing new and just introduces three talking heads about it. Though this is probably the first time I've seen talking heads talking about a film composer.
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I'm addressing the video not you. And if you made the video or are in it, same difference.
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