AN INNOCENT MAN (1989) by Howard Shore THE OCTAGON (1980) by Richard "Dick" Halligan TERROR AT LONDON BRIDGE (1985) by Lalo Schifrin RELENTLESS (1989) by Jay Chattaway THE STEPFATHER (1987) by Patrick Moraz WATCHERS (1988) by Joel Goldsmith and still holding my thumbs for FREEJACK (1992) by Trevor Jones of course.
My answer is always the same....WAY OF A GAUCHO by Sol Kaplan. And it must be really under the radar because it never gets more than 1 or 2 responses when I mention it.
CRACK IN THE WORLD by John Douglas would also be welcome.
I guess my other choices are less "under the radar."
The Power (Christopher Young) Ninth Configuration (Barry Devorzon) Under the Mountain (Bernie Allen) The Black Cat (Pino Donaggio) Children of the Corn III: Urban Harvest (Daniel Licht) Johnny Mnemonic (Brad Fiedel) Sometimes They Come Back (Terry Plumeri)
John Williams: Daddy-O (1959) I Passed for White (1960) Because They're Young (1960) The Secret Ways (1961) Gidget Goes to Rome (1963) The Killers (1964) The Rare Breed (1966) The Plainsman (1966) Daddy's Gone A-Hunting (1969) Story of a Woman (1970) Pene 'n' Tillie (1973) Conrack (1974) The Sugarland Express (1974) Kraft Suspense Theater TV Collection
GREAT EXPECTATIONS by Walter Goehr. The film, a beloved classic, is hardly obscure, but one hears little about the score or its composer. The latter was better known as a conductor and the father of Alexander Goehr.
