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I only recently saw this film. I don't really recall the score, but I liked the movie a lot.
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All time classic Jerry Goldsmith score! Ordered in a flash!
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Posted: |
Oct 12, 2015 - 9:44 PM
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By: |
Rollin Hand
(Member)
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IN HARM'S WAY (EXPANDED)
Jerry Goldsmith
Label: Intrada 7143
Date: 1965
Time: 78:02
Tracks: 33
Wow! All-time classic WWII soundtrack by Jerry Goldsmith finally sees presentation from original multi-track masters with three previously unreleased tracks!
http://store.intrada.com/s.nl/it.A/id.9839/.f?sc=13&category=22848
INFO
Wow! All-time classic WWII soundtrack by Jerry Goldsmith finally sees presentation from original multi-track masters for the first time. Crisp, detailed stereo as never before heard with three previously unreleased tracks Goldsmith originally selected for possible inclusion in legendary 1965 RCA album but dropped prior to release. Mammoth Otto Preminger Naval action film set during aftermath of Pearl Harbor attack examines war primarily from the command level. Paramount Pictures presents, John Wayne, Kirk Douglas, Patricia Neal, Henry Fonda, many others star.
One of Goldsmith's single greatest cues ever is rousing "Intermission", retitled "The Rock" for the LP and originally planned as closing of Act I (Reel 9) before picture was trimmed during post-production. Goldsmith wrote two Hawaiian source pieces for reel 5. He chose one for the album, the other appears here for the first time as well. Also making debut is the very first piece of music in the film, "By The Sleepy Lagoon", which plays over the Saul Bass title card at the film's start and continues as the camera pans by officers caps, a sign advertising the officer's dance on December 6, 1941 and finally settling inside the dance room where Goldsmith himself leads the big band. But the real new treat is powerhouse "Old Swayback" sequence where John Wayne and crew return to their old destroyer to engage the Japanese in battle. Importance of cue is hard to overstate: opening French horn motif, powerful percussion outbursts, dynamic fortissimo major chords in trombones literally "launch" composer's first foray into what becomes his career-long signature military style. Knockout world premiere track! Yet two more cues actually play longer than the edited versions that ultimately appeared on the record. First half of Intrada presentation premieres everything now available in picture sequence, including new material.
Second portion of Intrada CD offers complete RCA album, newly remixed and remastered, also for the first time from newly-discovered multi-track stereo session elements recorded in December 1964 at MGM Studios and stored in Sony vaults. This is In Harm's Way as it has never been heard before, with tender themes, sparkling jazz pieces and, in particular, some of Goldsmith's most thrilling and dynamic action cues ever. "One Way Ticket" literally sizzles! Add in the premiere of "Old Swayback" and this qualifies as a true knockout. Fun tidbit: at time of RCA release, Goldsmith had just one actual soundtrack album: Lilies Of The Field. Original Saul Bass-designed cover art adds extra appeal. Jerry Goldsmith conducts.
TRACK LIST
Expanded Original Soundtrack
01. By The Sleepy Lagoon (Eric Coates)* (1:49)
02. Liz [Liz In Harm’s Way] (2:05)
03. Medley: Try Again, Moonburn (2:48)
04. Night Swim [Night On The Beach]** (2:42)
05. Positive Identification (1:34)
06. Relieved Of Duty [Change Of Command] (3:29)
07. Hawaiian Mood (2:01)
08. Silver Sea* (1:47)
09. Family Talk [The Rock And His Lady] (2:51)
10. Long Goodbye [Goodbye] (2:48)
11. Welcome To Toulebonne [Native Quarter]** (2:31)
12. Intermission [The Rock] (1:35)
13. Torrey’s Arrival [Battle Theme From In Harm’s Way] (2:31)
14. Attack Plans [Attack] (2:05)
15. Mac’s Arrival [Love Theme From In Harm’s Way] (2:33)
16. Old Swayback* (1:23)
17. One-Way Ticket (1:49)
18. Main Title [First Victory] (2:44)
Total Soundtrack Time: 41:59
Original 1965 RCA Soundtrack Album
19. Love Theme From In Harm’s Way (2:33)
20. Liz In Harm’s Way (2:05)
21. The Rock (1:35)
22. Native Quarter (2:02)
23. Goodbye (2:48)
24. Positive Identification (1:34)
25. Battle Theme From In Harm’s Way (2:31)
26. Night On The Beach (2:08)
27. Attack (2:05)
28. The Rock And His Lady (2:51)
29. Hawaiian Mood (2:01)
30. Change Of Command (3:29)
31. Medley From In Harm’s Way: Try Again, Moonburn (2:48)
32. One-Way Ticket (1:49)
33. First Victory (2:44)
Total Album Time: 35:57
*Previously Unreleased
**Includes Previously Unreleased Material
http://store.intrada.com/s.nl/it.A/id.9839/.f?sc=13&category=22848
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Sad the complete score still couldn't be located, even just music stems as a supplement. That said, I love that the whole of the surviving tracks have been reordered chronologically (sorry Thor -- at least they provide the original album afterwards for those of your sensibility).
The sound samples on this make the sound improvement sound very great indeed!
Yavar
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I think by far the bigger selling point for both this and Basic Instinct is the drastically improved sound...
Yavar
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Bob, you're roughly correct in that the sources are the same for both programs but it wouldn't have been possible to program the original album from the new chronological presentation because it contained edits of some cues.
Yavar
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@ Yavar
I watched the movie a couple of months back and was surprised by how much more music was in the film because this was a time when Goldsmith would try to avoid scoring a movie with wall to wall music.
Nearly the entire third act. mainly the parallel action between both war parties at night as they get closer and closer to confrontation are great start and stop moments that build with intensity, texture and color as it gets closer to what would be "One Way Ticket".
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I watched the movie a couple of months back and was surprised by how much more music was in the film because this was a time when Goldsmith would try to avoid scoring a movie with wall to wall music.
Nearly the entire third act. mainly the parallel action between both war parties at night as they get closer and closer to confrontation are great start and stop moments that build with intensity, texture and color as it gets closer to what would be "One Way Ticket".
I vaguely remember that actually (I saw the film probably 10 years ago, before I owned the soundtrack.) After Intrada's new issue, how much unreleased music do you think there still is?
Yavar
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