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I can't comment on whether Christopher Young would be right to score this film as I am not familiar with his work. However, lately I've been wondering what it would be like if Trevor Jones scored a Marvel film.
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Posted: |
Oct 18, 2015 - 7:12 AM
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By: |
mastadge
(Member)
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No matter who scores it, you know EXACTLY what it's going to sound like. 
Because Guardians of the Galaxy sounds like Iron Man 2 sounds like Ant-Man sounds like Thor sounds like The Incredible Hulk.
But anyway, didn't Young start talking about this well over a year ago? From June 2014:
"Am I gong to do Doctor Strange? Oh, I better had. All I know is, I spoke to [Scott Derrickson] and did a little pitch on the phone and he kind of laughed. He didn't say, 'and by the way, you don't need to, you're going to do it,' but even on [Deliver Us From Evil] I had to make him a little pitch to him on the phone. He sent me the script, and he wanted to see my take on it. I mean, I'm hoping. He walked away from [Deliver Us From Evil] beaming... Anyway, we'll see. Thank you for asking, I swear to God, If he doesn't hire me I'm going to strangle him."
Contrary to popular opinion, I'd much rather listen to Ghost Rider or Spider-Man 3 than to Priest.
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If Chris Young came out with both barrels with a score like Bless The Child, it would be AMAZING.
Other than that, the usual suspects: Broughton, McNeely, Arnold, etc
I still can't quite get my head around the fact that Arnold seems to mostly be twiddling his thumbs in between TV jobs and concerts in the UK, when he should be getting snapped up by Marvel and DC to score their films. Just seems weird.
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