Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   Nov 30, 2015 - 2:24 PM   
 By:   daretodream   (Member)

Yes, that's precisely what I meant. Thank you, TacktheCobbler.

 
 Posted:   Nov 30, 2015 - 2:42 PM   
 By:   digitalfreaknyc   (Member)

Hi all,

My exclusive Q&A with producer Mike Matessino is online on the main page of JWFan.com

We discuss the new 2CD sets for Home Alone, Jaws, and Jaws 2, and Mike reveals some exciting news about the future of Williams restorations. Check it out!

http://www.jwfan.com/?p=8269


I wanna commend Jason on this. Phenomenal job.

 
 Posted:   Nov 30, 2015 - 2:53 PM   
 By:   Mike Matessino   (Member)

Unless I'm misinterpreting what daretodream's post, I think he is asking about what the different classifications of elements in general mean and all that implies.

I'm not sure how much more there is to say. 1/2" analog is four-track element, with one track generally used for sync. This was the exact same element used for the 2000 5.1 mix. The Decca release was made from the digital mixes done for the 5.1, folded down to stereo and then processed further. I worked with the data from the new transfers of the 1/2" done by Intrada. No digital tape came in to play at any point. The original tapes are second generation because these were mix-downs done at Universal of first generation scoring material recorded at Fox.

We may have to start a different thread to go into further detail about what the various formats are.

Mike M.

 
 Posted:   Nov 30, 2015 - 3:01 PM   
 By:   Grecchus   (Member)

I think, in the case of Jaws, it is now clear all that remains is the 1/2" tape with 3 tracks, each of which contains a record of approx 1/3 of the orchestra's players. You can pull off each of those tracks and, using electronics and software, make them run the acoustical gauntlet.

Sounds like fun!

 
 
 Posted:   Nov 30, 2015 - 3:38 PM   
 By:   JohnnyRoastbeef   (Member)

I wonder if one of the two source cues Williams wrote for Jaws that he didn't want included was the campfire harmonica and guitar piece before Chrissy goes swimming. It's pretty insignificant musically, so I I can see why he wouldn't want it included (if it is indeed by Williams) but it is also so iconic, with that harmonica coming in right after the main title music crashes to a close, that it would be nice to have.

I read a posting somewhere about who played the harmonica piece, but it was not on the session tapes. I think it was someone local and done on the Vineyard. I'll try to find the info. The cue sheet just says "Ad Lib Harmonica" and composer column says "Staff."

It was beach radio music that got cut from the release (and several pieces from Jaws 2 as well). We'll have to content ourselves with what made it on to The Poseidon Adventure, Superman, Family Plot and The Fury if you like to hear that sort of thing. The Maestro doesn't!

Mike M.


Thanks Mike, very interesting. Not all Williams source music is in the same league as "The Cantina Band" or "Angels With Filthy Souls," that's for sure. At the same time, the obsessive Williams completist in me wants those lame pop music pieces (and I don't ever skip them either; I always listen to the full CD of The Fury, for instance).

 
 Posted:   Nov 30, 2015 - 4:00 PM   
 By:   dogplant   (Member)

I read a posting somewhere about who played the harmonica piece, but it was not on the session tapes. I think it was someone local and done on the Vineyard.

Mike, that might have been me in the Intrada JAWS thread, rambling on about Michael Haydn, the fellow who played guitar and who I met on the Vineyard in 2005. Not sure about the harmonica and I can't reach Mike to ask; I tried to reach him the other day, to alert him about the new CD, but his email bounced.

http://www.michaelhaydnmv.com

 
 Posted:   Nov 30, 2015 - 4:41 PM   
 By:   Mike Matessino   (Member)

That was it! The cue sheet actually says "Ad Lib Guitar and Harmonica." It definitely wasn't anything Williams was involved with.

 
 
 Posted:   Dec 1, 2015 - 6:12 AM   
 By:   tarasis   (Member)

Great interview Jason, and thank you for your continued work. Likewise Mike, you continue to do any amazing job and I thoroughly look forward to whatever the next release will be.

(There I had resolved that I wasn't going to buy Home Alone as I got the previous LLL release, then I read the interview ... Nooooooooooo)

 
 
 Posted:   Dec 1, 2015 - 8:10 AM   
 By:   Spence   (Member)

It is solely an aesthetic packaging consideration that I here mention, but I am still keeping the Decca 2000 digipak release if for no other reason than I prefer it over the jewel case, which I have no great affection for. My Jaws set arrived with a broken hinge and will request a replacement. I love the cardboard cover of the Decca, with a more "organic" feel, like a mini LP, with raised lettering of "Jaws", as well as the photo behind the disc tray being a nice touch for sure. But no mistaking the joy of being able to own a definitive representation of Jaws from Intrada, of which I am most grateful.

 
 Posted:   Dec 1, 2015 - 8:28 AM   
 By:   Grecchus   (Member)

It is solely an aesthetic packaging consideration that I here mention, but I am still keeping the Decca 2000 digipak release if for no other reason than I prefer it over the jewel case, which I have no great affection for. My Jaws set arrived with a broken hinge and will request a replacement. I love the cardboard cover of the Decca, with a more "organic" feel, like a mini LP, with raised lettering of "Jaws", as well as the photo behind the disc tray being a nice touch for sure. But no mistaking the joy of being able to own a definitive representation of Jaws from Intrada, of which I am most grateful.

I don't mind the Jaws and Close Encounters digipaks either, though I do prefer the jewel case because that is a clear protective sheath that can be replaced if it is ever damaged. The one digipak over which I have reservations is for Jurassic Park: The Lost World. It must have taken dedication to come up with the intricacies of the internal artwork deployment in that case, however, you have to slide the CD in and out of the sleeve. Now, considerable care in taking the CD in and out of the "protective" package can't stop micro scratches appearing on the CD itself - it's inevitable that the digipak in this case has too many compromises to make it viable from a collector's point of view - too much friction against the cardboard surface is what causes the problem. True, CDs can get extremely scratched and chances are they will still play - it's just that particular style of presentation makes unnecessary scratches a dead cert when an equivalent amount of use with a jewel box does not engender the same problem.

 
 
 Posted:   Dec 1, 2015 - 7:08 PM   
 By:   Filmmaker   (Member)

Actually, there are small portions of the incorrect take of Man Against Beast, including the flubbed entrance I mentioned in the interview, that's not included on the new release. But compositionally, all content of the Decca release is there.

Mike M.


I greatly appreciate your detailed insights. Since all that's missing is an inferior take of what your new release presents accurately, I'm content to part with the Decca. Allow me to say you've done a gentleman's job on this release on every level. After years of listening to the MCA and Decca releases, I was finally prepared to accept that I'd just imagined the score containing more visceral power than it actually carried. The Intrada release at long last confirms I've been under no delusions. Super stoked to admire your handiwork again on BRAVEHEART!

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.