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I'd wager that a whole lot more people were familiar with the music (the theme at least) from A SUMMER PLACE than got anywhere near the movie... (Not sure anybody but us nerds have ever been familiar with an entire film score.)
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'Shaft', by Isaac Hayes. The title theme was, and still is, iconic. The film is pretty much forgotten, or at best a nostalgia piece.
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I'd wager that a whole lot more people were familiar with the music (the theme at least) from A SUMMER PLACE than got anywhere near the movie... (Not sure anybody but us nerds have ever been familiar with an entire film score.) By that logic, I guess one could argue that Love is a Many-Splendored Thing falls under this category as the music for the film (or at least the theme) is pretty well known.
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Also, as an American, Ennio Morricone was the only name I recognized in the opening credits. Not even Giuseppe Tornatore?
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I would say GWTW and The Magnificent Seven are not good examples as those are very famous movies that are also highly acclaimed. You could make a case for Patton however. Though I'd say PATTON is a rather famous movie as well. Perhaps neither music nor film is quite as famous as Magnificen Seven or GWTW, but still...
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I'd argue that some Erich Wolfgang Korngold scores are more "revered", I wouldn't say more famous, than the films they were written for, like Anthony Adverse, The Prince and the Pauper (although an underrated gem IMHO), Escape Me Never. But then film music is still such a tiny "camp" of music lovers, I doubt that ANY score is more famous IF the movie is remembered at all. None of the "themes" makes a convincing case either - because if a film theme is famous, it's usually because the film is, like "Tara's Theme" from GWTW or the "Desert Theme" from Lawrence of Arabia. The Maginicent Seven had extra exposure through the Marlboro commercials, and I think that many who knew it from the commercial didn't associate it with the film.
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It was only the Best Picture AA winner of its year, a huge blockbuster, and is regularly shown on TV.
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