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 Posted:   Feb 7, 2016 - 8:56 AM   
 By:   Sampo   (Member)

CD arriving March 4 from Milan.

Apologies if there's already a thread on this.

 
 
 Posted:   Feb 7, 2016 - 9:15 AM   
 By:   bobbengan   (Member)

Very happy for Mark. He's a very talented and diverse composer who was attached to a film of mine a number of years back that never came to fruition.

His score to the TV film LYDDIE is a gorgeous TO KILL A MOCKINGBIRD-type slice of Americana. You can hear the main theme right at the beginning of his orchestral demo reel:

http://www.markkorven.com/Demo_Reel.html

 
 Posted:   Mar 4, 2016 - 11:07 AM   
 By:   Jon Broxton   (Member)

My review of THE WITCH, for anyone who is interested:

http://moviemusicuk.us/2016/03/04/the-witch-mark-korven/

Jon

 
 
 Posted:   Mar 4, 2016 - 11:57 AM   
 By:   bobbengan   (Member)

My review of THE WITCH, for anyone who is interested:

http://moviemusicuk.us/2016/03/04/the-witch-mark-korven/

Jon


Spot on review, Jon. Do check out that "Lyddie" cue I mentioned above. Mark was nice enough to burn me a complete CD of that score and ship it to me for free when I was in high school. It couldn't possibly be any more different than The Witch!

Mark's a fascinating composer and musician, and a great guy. I do hope this film opens door for him.

 
 Posted:   Mar 4, 2016 - 12:22 PM   
 By:   Sean Nethery   (Member)

Also up on Spotify. https://open.spotify.com/album/7mEUEbC4juBQxkjPDoYpR6

 
 
 Posted:   Mar 17, 2016 - 8:55 AM   
 By:   Hurdy Gurdy   (Member)

I saw this film the other night at the arthouse cinema (FACT) in my city (Liverpool).
On reflection, my viewing of it was ruined by the ridiculously over the top reviews that I'd seen and heard during it's release build-up.
It's NOT the most frightening!!!, scary!!!, terrifying!!! film I will ever see (it's not really that frightening at all...I wouldn't even class it as a horror film 'til maybe the final 10 minutes...even then, only maybe).
It's a small, quiet, slow-burn film about the psychology of religion and fear and paranoia.
I imagine it's VERY authentic of it's period and time - New England, America, 1620(ish).
Sets, costumes, dialogue appear spot-on.
For a film budgeted around $1 million, it's very clever indeed.
But had I viewed it with the correct expectations, I would have probably been more impressed (as I have been the more I've thought about it), but the actual viewing experience was ruined by what it most certainly wasn't.
The screening was pretty packed and I felt it wasn't just me - at the end - who was disappointed by it's mis-selling and underwhelming mood.
It's a modest, art-house, period drama with a supernatural twist. Hyperbolic reviewers need to shut the fu*k up.
But I guess that's all moot. It's been a roaring success for the makers and studio, so they did the right thing, I guess.

*edit*
Oh yeah, the music. Impressive in the film...chilly and unsettling. Not something I would ever want to play or hear apart from the film though.

 
 Posted:   Mar 17, 2016 - 5:39 PM   
 By:   spook   (Member)

I saw this film the other night at the arthouse cinema (FACT) in my city (Liverpool).
On reflection, my viewing of it was ruined by the ridiculously over the top reviews that I'd seen and heard during it's release build-up.
It's NOT the most frightening!!!, scary!!!, terrifying!!! film I will ever see (it's not really that frightening at all...I wouldn't even class it as a horror film 'til maybe the final 10 minutes...even then, only maybe).
It's a small, quiet, slow-burn film about the psychology of religion and fear and paranoia.
I imagine it's VERY authentic of it's period and time - New England, America, 1620(ish).
Sets, costumes, dialogue appear spot-on.
For a film budgeted around $1 million, it's very clever indeed.
But had I viewed it with the correct expectations, I would have probably been more impressed (as I have been the more I've thought about it), but the actual viewing experience was ruined by what it most certainly wasn't.
The screening was pretty packed and I felt it wasn't just me - at the end - who was disappointed by it's mis-selling and underwhelming mood.
It's a modest, art-house, period drama with a supernatural twist. Hyperbolic reviewers need to shut the fu*k up.
But I guess that's all moot. It's been a roaring success for the makers and studio, so they did the right thing, I guess.

*edit*
Oh yeah, the music. Impressive in the film...chilly and unsettling. Not something I would ever want to play or hear apart from the film though.


Sounds like another BABADOOK case...Good wee film hyped into ridiculous excess by the press and probably lightly to disappoint a lot of folk becauuse of it.
Have to say im loving the score. Pretty unsettling stuff and very effective.
This does bode the question why would folk want to listen to stuff like this...and to be honest, being one of those that do, i really wonder myself!

 
 
 Posted:   Mar 18, 2016 - 7:31 PM   
 By:   thestat   (Member)

The score is so disturbing in all the good ways. And the film, while certainly not being the scariest film of all time, does have a very unique angle on material, we have all seen thousands of times.

 
 Posted:   Oct 4, 2016 - 12:23 AM   
 By:   Lewis&Clark   (Member)

Just saw this on Bluray. Very clever movie, works on different levels. Good actors, great lighting and some disturbing images. If you know what you're up to, it works very well as a horror movie. The score is an evil beast on its own. I, for my part, got be-vvitched by it big grin

 
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