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I can't even imagine what Williams is going to do with this. If ever there were a Spielberg movie crying out for a score by someone else, it's this one. I would have been fine with Zimmer scoring this whole thing for "8-bit" synths, honestly.
Cue LeHah's rage in 3...2...
The book goes way overboard in the "hey, remember the 80s?" department, especially toward the end where the author starts to repeat things, but if anyone can find the movie in this, it's the pre-Schindler Spielberg.
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It would be fun to hear him go the synth/keyboards route.
We know he has dabbled with them (slightly) for HEARTBEEPS and PRESUMED INNOCENT, but an all-out synth score would be both unique and interesting.
YES!
B ut the best thing would be an electronic score with some orchestral accents/elemen[/endquote
Electronic scores in general are cheap awful nasty and unlistenable .......Jarre , Goldsmith and Barry tried their luck in this department and all failed spectacularly .......
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Mr JOHN Williams may need to be inspired by the late, great JERRY GOLDSMITH who was a 'GENIUS'
in combining the two formats!
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Shame GENE WILDER not cast in this film! FINE with MARK RYLANCE!
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Even Blade Runner itself would probably hold up better if it had had a score that didn’t so completely date it...
Blade Runner hasn't dated though. Synthpop has had a resurgance in recent years, with lots of pop and indie acts using synths that would've been right at home in the 80s (eg. Chvrches, Crystal Castles, Empire Of The Sun, Goldfrapp, La Roux, etc.) Blade Runner sounds positively state of the art these days.
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JOHN WILLIAMS & JOHN CARPENTER would be a perfect pairing for this movie!?
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