Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   Jun 15, 2016 - 4:36 AM   
 By:   MCurry29   (Member)

I was astounded to hear/see Maestro Schnittke compositions in THE LOBSTER. Just wonderful. What a film. I'm still contemplating what I saw.

 
 Posted:   Jun 15, 2016 - 7:56 AM   
 By:   Ed C   (Member)

Really? Wow, I guess I missed that. I watched it partway through but I never finished it, it just seemed a little depressing. It looks like the soundtrack is all needle drops. Not sure how that would work as a listening experience... (Beethoven, Shostakovich, Schnittke...)

 
 
 Posted:   Jun 17, 2016 - 3:33 AM   
 By:   Graham Watt   (Member)

I didn't want this thread to drop out of sight so soon, so I'm giving it a bump - even if I haven't much to say about lobsters.

Still, it was quite coincidental that just last week I was listening to the radio, and I caught a piece half-way through. It was a bit maddening, like Danny Elfman or Nino Rota, with strange changes from heartbreaking "traditional" sounds, to almost circus-like or carnival madness. Then it was identified at the end as being by Alfred Schnittke.

And I thought that it almost kind of reminded me of Alex North, in that you'll get the most incongruous style popping up out of the blue in so many scores. I've been listening to DRAGONSLAYER recently, and that (mostly unused) "Forest Romp" music drives me nuts. And then, in BITE THE BULLET there's that slapstick comedy cue. Other examples abound.

And so I was thinking, was Alex North a "deliberate polystylist"? That's all for now, sorry.

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.