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The movie title pretty much describes how I'm feeling at the moment.
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The movie title pretty much describes how I'm feeling at the moment.
Why?
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Let's just say political discussions are not allowed here!
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GREAT NEWS!!!
Dario Marianelli to Score Joe Wright’s ‘Darkest Hour’
http://filmmusicreporter.com/2016/11/08/dario-marianelli-to-score-joe-wrights-darkest-hour/
Good that the PAN situation hasn't dampened the working relationship between them.
The director had no problem with the score. It was the 'suits' from California who were unimpressed with the score. Such a pity.
What a pity!... Marianelli's music is "Quality" and I think not all the composers are original as him.
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Deutsche Grammophon will release the official soundtrack album for Joe Wright’s drama Darkest Hour.
The soundtrack will be released on November 17, 2017 and is now available for pre-order on Amazon.
Music by Dario Marianelli
Track list:
1. Prelude
2. Where Is Winston?
3. Full English
4. A Telegram From The Palace
5. One Of Them
6. Winston And George
7. First Speech To The Commons
8. The War Rooms
9. From The Air
10. I Wouldn't Trust Him With My Bicycle
11. Radio Broadcast
12. History Is Listening
13. An Ultimatum - Dario Marianelli
14. Dynamo
15. We Must Prepare For Imminent Invasion
16. The Words Won't Come - Dario Marianelli
17. Just Before The Dawn
18. District Line, East, One Stop.
19. We Shall Fight
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Posted: |
Nov 16, 2017 - 12:40 PM
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By: |
Ado
(Member)
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The replacement Powell score on Pan is pretty terrific, and a great recording. But, I did like the little snippets of Dario that I heard before it was tossed. I wish it had remained, it would be nice to hear the whole score released. I am looking forward to Darkest Hour as both a score and a movie, Joe Wright is a real talent, as is Dario Marianelli. I even enjoyed the film Pan quite a lot.
This sounds pretty great;
http://www.indiewire.com/2017/09/darkest-hour-review-gary-oldman-winston-churchill-telluride-1201872512/
But the MVP here, the one person who’s able to hold the movie together despite all the dodgy bits in its latter half, is composer Dario Marianelli. Wright’s go-to guy has delivered some stunning work for the director in the past, but his score for “Darkest Hour” is a rare thing of beauty. Throbbing with vigor one moment, tumbling pianos towards despair the next, and then eventually entwining those disparate modes together into the cathartic bombast that accompanies Churchill’s famous speech (“We shall fight on the beaches…”), Marianelli’s music holds the film together, and the people of Britain along with it.
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