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 Posted:   Jan 7, 2017 - 11:14 AM   
 By:   SchiffyM   (Member)

Well, the radio network referenced above is free to listen to. CDs cost $20/each, plus tax, plus shipping. That is not an insignificant distinction.

 
 
 Posted:   Jan 7, 2017 - 11:20 AM   
 By:   leagolfer   (Member)

Well, the radio network referenced above is free to listen to. CDs cost $20/each, plus tax, plus shipping. That is not an insignificant distinction.

Who said a label cd, CDR, digital, or discussion.

 
 
 Posted:   Jan 7, 2017 - 11:21 AM   
 By:   Last Child   (Member)

Well, the radio network referenced above is free to listen to. CDs cost $20/each, plus tax, plus shipping. That is not an insignificant distinction.

Not at Big Lots. wink

 
 Posted:   Jan 7, 2017 - 11:34 AM   
 By:   SchiffyM   (Member)

Well, the radio network referenced above is free to listen to. CDs cost $20/each, plus tax, plus shipping. That is not an insignificant distinction.

Not at Big Lots. wink


I know you're being half-facetious, but even if a CD is $6, that's more than $0.

And it's also not unreasonable that a lot of people feel like they can listen to the radio and be introduced to new pieces all the time at no cost, rather than spend money on a single piece to listen to over and over.

 
 Posted:   Jan 7, 2017 - 11:53 AM   
 By:   Nicolai P. Zwar   (Member)

There is no question that the "future" of music is neither CD nor radio, but streaming... all of the music whatever you want to listen to will be there, waiting for your command... that's how most folks who listen to music do it nowadays.

 
 Posted:   Jan 7, 2017 - 12:59 PM   
 By:   Sean Nethery   (Member)

Here is a little factual information about the way Americans listen to music. This comes from Edison Research's annual Share of Ear study.



Radio: 44%
Owned music (CDs, digital files, vinyl, etc.): 18%
Streaming: 17% (but growing every year)
Sirius/XM digital radio: 7%
TV music channels: 5%
Youtube: 8%

https://www.radioinfo.com.au/news/music-listening-patterns-shifting-america-edison-share-ear-report

 
 Posted:   Jan 7, 2017 - 1:06 PM   
 By:   Sean Nethery   (Member)

(I oversee a three-service public radio network that includes a classical music service and a new & independent music service, so I see on a weekly basis that hundreds of thousands of people respond to the music we provide and make it a part of their daily life. Hard not to be optimistic.)

If hundreds of thousands of people are receptive to such music, then subsets of these persons could be potential customer bases who could purchase albums (classical, soundtracks, etc.).
Yet, it seems this doesn't happen on any significant scale.
Music Box, Quartet, Kronos, Saimel, Alhambra & others are pressing only 300 copies of their albums and most of these do not sell out.
Why is this so?
Hundreds of thousands of folks could be channeled toward & enticed by this music ... is there any way we can make this happen?


It's a good question, Zardoz, I wish I had a better answer. In my experience, a few folks collect a lot of music, and most folks collect a little and otherwise use easier ways to get music, and typically music that is already curated for them, whether radio or streaming or whatever. Most people just are not motivated to build their own personal music collections.

 
 Posted:   Jan 7, 2017 - 2:20 PM   
 By:   MD   (Member)

deleted

 
 Posted:   Jan 13, 2017 - 2:24 PM   
 By:   Khan   (Member)



And having interest in film music doesn't mean automatically that you buy the music you are interested in. If you do "research" carefully then nowadays almost every music that is published on CD by our beloved labels (I am thankful that there are so many and they still keep up the work!) is legally available on streaming platforms or YouTube.



You really think all those soundtracks on YouTube are there legally?


A lot of new soundtracks (and music in general) are on YouTube legally these days.

 
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