|
|
|
|
|
|
|
|
|
|
|
|
I love all the Bogosian music in this.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
when people complain about the lack of originality in today's Hollywwod I always refer them back to this era. How many DIE HARD clones were there? Countless!!!! no comment on the score but BP was mos def in his prime! brm
|
|
|
|
|
Maybe, but a number of un-original scores back then were still immensily enjoyable, while a number of un-original scores today are banal and servicable at best.
|
|
|
|
|
A lot of movies may have had similar plots and concepts back then, but they were still filmed in different ways, with different set-pieces, and with unique soundtracks. The limits of technology (camera rigs, color grading, sound mixing, special effects) kept productions on their toes and constantly coming up with new ways to tell their stories. Now, technology has matured to the point where movies are homogenized because it's no longer a massive challenge to pull something off - soundtracks sound almost all the same, editing is almost all the same, visual effects are streamlined and look the same, and color grading is the same.
|
|
|
|
|
|
|
|
Maybe, but a number of un-original scores back then were still immensily enjoyable, while a number of un-original scores today are banal and servicable at best. Oh yeah, of course. Lots of less than great films had excellent scores. You can not compare the quality of the music then to today. I refer only to the films themselves brm
|
|
|
|
|
|
|
|
|
|