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I would be more than happy with a simple piano score with no Americana whatsoever.
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I would not be suprised if Williams will focus on THE LAST JEDI and therefore be unable to score THE POST - with Spielberg asking Thomas Newman again to fill in.
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It's just an issue I have with this particular genre. I didn't really care for ALL THE PRESIDENT'S MEN either (sacrilege, I know). That is so uncomprehendable to me. What exactly is your issue with this genre, Thor?
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Personal preferences are not debatable, I know. I just would be interested whether he does not like thrillers or political films - and why.
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We all know that our time with new Williams scores is numbered. It's sad but true. I believe he is 85 years old? If we are very lucky, it's possible that we might have another 5, 10...maybe even 15 years of additional work from him. I can't speak for others, and everyone has their own tastes, but Williams is inarguably the greatest composer of film scores we have ever had. All of that is to say that I look forward to and treasure each and every new score from him, regardless of the film he is composing for. I am excited for all of the forthcoming releases.
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Personal preferences are not debatable, I know. I just would be interested whether he does not like thrillers or political films - and why. While I can enjoy a wellwritten dialogue as much the next guy, I'm generally not a big fan of films DRIVEN by dialogue -- especially not if it also includes lots of telephone calls, paperwork and loads of verbal information. I'm more into the audiovisual aspect and potential of films. But as I said earlier, I think Spielberg managed to make something worthwhile out of both LINCOLN and BRIDGE OF SPIES - two dialogue and information-heavy movies. So hopefully he'll be able to do to the same with this. Thank you! I actually prefer films that tell their story without an over-reliance on dialogue as well. In the case of ALL THE PRESIDENT´S MEN I do believe that Pakula directed it with the utmost precision and included only the essential dialogue while having Willis´ images tell the story perfectly as well, underlined by Shire´s terrific but sparse score. Spielberg, IMHO, did not manage to keep LINCOLN from drowning in all the dialogue and posturing by Day-Lewis - but recovered perfectly in BRIDGE OF SPIES which I think is one of his finest films.
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Freedom Of Speech AND Girl Power!! How can it fail. Can't wait to hear what Jay Dubya brings to the table.
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