|
|
|
|
|
|
|
|
|
I personally feel that this film should have had an electronic 80s based score like the one in Stranger Things though, instead of Wallfisch's more traditional approach. Bummer. I disagree a lot! The score by Wallfisch is the perfect combination between electronic ideas and really clever an interisting use of the orchestra and choir.
|
|
|
|
|
Did they ever actually establish a year in which the show takes place? The show always seemed a bit anachronistic given some of the movies, shows, music and events being referenced. I believe this upcoming season incorporates the debut of New Coke, which I believe was killed well before 1989. Stranger Things season one was 1983, season 2 was '84, and the new third season is the summer of '85, so New Coke was a brand-new product at that time. It was set in the summer of '89. Whoops! My bad. I thought Shaun was till referring to Stranger Things, rather than the movie "It". LOL! Thanks for the Stranger Things dates Mr. Jack.
|
|
|
|
|
WHATEVER. I would still have wanted a retro electronic score over a trite orchestral one.
|
|
|
|
|
electronic scoring is cheap and easy compared to hiring a full orchestra. You have clearly not read the Poledouris interview from the late 80s where he stated that it was more work doing an electronic score than an orchestral one.
|
|
|
|
|
|
|
|
WHATEVER. I would still have wanted a retro electronic score over a trite orchestral one. Entitled much? You have clearly not read the Poledouris interview from the late 80s where he stated that it was more work doing an electronic score than an orchestral one. Cause an interview from 30 years ago, when synths were relative new and technology not as advanced, is somehow representative for current electronic scoring
|
|
|
|
|
I think Balfe does his music off his phone now.
|
|
|
|
|
|
|
|
|
|