|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Nov 18, 2017 - 8:52 AM
|
|
|
By: |
Graham Watt
(Member)
|
Just to insist on the Legrand, the End Titles are, I think, called "The Crowning Glory" on the OST. Lots of piano work, although it does interpolate a secondary THOMAS CROWN theme (the song "His Eyes, Her Eyes"), albeit nicely disguised. Even better from TOM CROWN might be the track "Cash and Carry" (or something like that). It's even got Legrand himself scatting some vocals (again the melody quotes from "His Eyes, Her Eyes", but that might be a help rather than a hindrance). I think you ought to go ahead with the Schifrins and the Bernsteins, Thor. If these people are film-savvy as you say, and would recognise Joe Hisaishi's music (and name), or Thomas Newman, they must be at least aware that cinema wasn't invented yesterday and that all that they can identify today wasn't created in a vacuum, and that there are historical precedents. If they can get Herrmann and Rózsa, and the name "Maurice Jarre" from LAURENCE OF ARABIA alone, I'd be EXTREMELY surprised if they are stumped by other Jarres, or by Bernstein, Schifrin or Legrand. I am trying to distance myself from my own film music geekdom here, but I honestly think that even if they're a youngish crowd, their interest in cinema will have exposed them to enough "old" stuff to help make them give an educated guess. At a stretch I'd even say they'd probably get Korngold from THE SEA WOLF. But I might be misreading reality again.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|