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 Posted:   Apr 16, 2017 - 6:19 AM   
 By:   arthur grant   (Member)



German born cinematographer Michael Ballhaus has died at age 81.

http://thecinemacafe.com/the-cinema-treasure-hunter/2017/4/16/end-credits-64-2017s-lost-treasures#Michael-Ballhaus

 
 
 Posted:   Apr 17, 2017 - 10:18 AM   
 By:   Rozsaphile   (Member)

https://www.nytimes.com/2017/04/14/arts/michael-ballhaus-cinematographer-dead.html

Fassbinder's cameraman and Scorsese's - a more important figure than I had realized.

 
 
 Posted:   Apr 17, 2017 - 12:15 PM   
 By:   Bob DiMucci   (Member)

MOTHER KUSTERS GOES TO HEAVEN

 
 
 Posted:   Apr 17, 2017 - 2:25 PM   
 By:   Bob DiMucci   (Member)



 
 
 Posted:   Apr 17, 2017 - 2:54 PM   
 By:   Bob DiMucci   (Member)

Michael Ballhaus' first big American film was John Sayles' BABY IT'S YOU. It was also the first major Hollywood studio film for John Sayles, but only because Paramount picked it up before release. The film, originally greenlighted, then dropped by, 20th Century Fox, was financed with independent money.

 
 
 Posted:   Apr 17, 2017 - 4:07 PM   
 By:   Zooba   (Member)

Loved his work on THE MAMBO KINGS and Coppola's Bram Stoker's DRACULA.

 
 
 Posted:   Apr 17, 2017 - 4:18 PM   
 By:   Bob DiMucci   (Member)

Ballhaus worked with first time feature film director James Foley on 1984's RECKLESS. The production shoot ran for thirty-five days during October through December of 1983. The film utilizes a red and black color aesthetic to represent the viewpoint of the lead character "Johnny Rourke" (Aidan Quinn). That color scheme was carried over to the film's advertising.

 
 
 Posted:   Apr 17, 2017 - 4:31 PM   
 By:   Bob DiMucci   (Member)

Principal photography on 1984's HEARTBREAKERS occurred 27 February -- 6 April 1984 in Los Angeles, CA. Locations included Traction Avenue and the Second Street tunnel in downtown, Fatburger on La Cienega Boulevard, the Voila nightclub in the Beverly Center, Sports Connection and Spago restaurant in West Hollywood. It was the fourth feature for director Bobby Roth.

 
 
 Posted:   Apr 17, 2017 - 4:48 PM   
 By:   Bob DiMucci   (Member)

For director Volker Schlöndorff, Ballhaus shot the 1985 television filmization of Arthur Miller's DEATH OF A SALESMAN. The CBS telefilm was adapted from the 1984 Broadway production directed by Michael Rudman, which also starred Dustin Hoffman.

 
 
 Posted:   Apr 17, 2017 - 5:02 PM   
 By:   Bob DiMucci   (Member)

Ballhaus' first film with Martin Scorsese was the 1985 comedy crime-thriller AFTER HOURS. Principal photography began 9 July 1984 in New York City with an eight week filming schedule. Scorsese designed the film as a parody of Hitchcock's style. The elaborate camera movements echo sequences in MARNIE (1964).

 
 
 Posted:   Apr 17, 2017 - 5:08 PM   
 By:   Bob DiMucci   (Member)

In 1986's UNDER THE CHERRY MOON, Prince plays a gigolo named "Christopher Tracy," and former Time member Jerome Benton plays his partner, "Tricky." Together, the pair swindle wealthy French women. Prince directed the film, taking over from original director Mary Lambert over "creative differences". Because the production was filming in Europe, it did not come up against the Director's Guild of America, which has rules against firing a director in favor of a lead actor. Although Michael Ballhaus shot the film in color, it was released in black and white. Prince and his group, The Revolution, provided the score, which was released by Paisley Park/Warner Bros. under the title "Parade."

 
 
 Posted:   Apr 17, 2017 - 5:15 PM   
 By:   Bob DiMucci   (Member)

Ballhaus' second film with Martin Scorsese was 1986's THE COLOR OF MONEY. The majority of the big pool tournament interiors that are supposed to be in Atlantic City were actually filmed in the big ballroom at the end of Navy Pier in Chicago.

 
 
 Posted:   Apr 18, 2017 - 1:30 AM   
 By:   Bob DiMucci   (Member)

Paul Newman must have liked the way that Michael Ballhaus shot THE COLOR OF MONEY, because he selected him to film 1987's THE GLASS MENAGERIE, which he directed and which starred his wife, Joanne Woodward. Production was done at the Kaufman Astoria Studios in Queens, New York.

 
 
 Posted:   Apr 18, 2017 - 1:16 PM   
 By:   Bob DiMucci   (Member)

The closing credits for 1987's BROADCAST NEWS state that the film was "shot entirely on location." The office building where the network's D.C. offices are located is 1001 Pennsylvania Ave., NW, a 1986 building where occupants were still moving in the year before the movie was released. Director James L. Brooks filmed the anchor desk and on-air broadcast newsroom scenes on the backstage area of Wolftrap Farm Park for the Performing Arts, in Vienna, VA, just outside of Washington, D.C. Michael Ballhause received his first Academy Award nomination for Best Cinematography for his work on the film, losing to Vittorio Storaro for THE LAST EMPEROR.

 
 
 Posted:   Apr 18, 2017 - 2:14 PM   
 By:   Bob DiMucci   (Member)

Peter Yates directed THE HOUSE ON CARROLL STREET, in which an FBI agent and a blacklist victim uncover a plot to smuggle Nazi war criminals into the country. Ballhaus shot the film on location in a New York City made up to look like the 1950's period in which the film was set.

 
 
 Posted:   Apr 18, 2017 - 2:25 PM   
 By:   Bob DiMucci   (Member)

Ballhaus' third picture with Martin Scorsese was 1988's THE LAST TEMPTATION OF CHRIST. Shooting took place in Morocco, in desert locations and Marrakech.

 
 
 Posted:   Apr 18, 2017 - 2:34 PM   
 By:   Bob DiMucci   (Member)

Principal photography on 1988's DIRTY ROTTEN SCOUNDRELS began on 6 June 1988 in the south of France. Filming locations included: the Grand Hotel du Cap Ferrat; the La Victorine Studios in Nice; Villefranche-sur-Mer; Villa Hier in Cap d’Antibes; the Rotonde located in Beaulieu-sur-Mer; the Fondation Ephrussie [sic] de Rothschild; and a harbor in Juan-les-Pins. Frank Oz directed the film.

 
 
 Posted:   Apr 18, 2017 - 2:52 PM   
 By:   Bob DiMucci   (Member)

Ballhaus worked with Micke Nichols on 1988's WORKING GIRL. Principal photography began 16 February 1988. Filming took place entirely in New York City, with the exception of a half-day shoot in New Jersey, where a skiing sequence was filmed. Four different buildings were used to portray the offices of Petty Marsh: 1 State Street Plaza, where the secretarial pool was constructed on the building’s empty twenty-first floor; the Midday Club, which stood in for the company’s club room; the lobby of 7 World Trade Center; and the reading floor at L. F. Rothschild. The U.S. Customs House doubled as Trask Industries’ office, and two mansions on Fifth Avenue served as the site for Trask’s daughter’s wedding, including the Carnegie mansion (home to the Cooper-Hewitt Museum) and the 1904 Burden Mansion. A 19th century private residence on Irving Place doubled as “Katharine Parker’s” (Sigourney Weaver's) townhouse. Filming ended 27 April 1988, with a final sequence shot on the Staten Island Ferry.

 
 
 Posted:   Apr 18, 2017 - 4:07 PM   
 By:   Bob DiMucci   (Member)

For Steve Kloves, in his feature film directorial debut, Ballhaus shot THE FABULOUS BAKER BOYS. Principal photography began 5 December 1988 in Los Angeles, CA, which stood in for Seattle, WA. Locations included the Ambassador Hotel, where the famed Cocoanut Grove nightclub was used for several scenes. The Ambassador was shuttered soon after filming was completed there. The Biltmore Hotel in downtown Los Angeles, the Variety Arts Theatre, a piano showroom in Pasadena, CA, and a deli located in the Fairfax district of Los Angeles were also used. Filming for the 1989 release took place over two months.

Michael Ballhaus received his second Academy Award nomination for Best Cinematography for THE FABULOUS BAKER BOYS. He lost to Freddie Francis for GLORY.

 
 
 Posted:   Apr 18, 2017 - 4:25 PM   
 By:   Bob DiMucci   (Member)

Back in his fourth film with Martin Scorsese, Ballhaus shot 1990's GOODFELLAS. The 11 May 1989 Los Angeles Herald-Examiner reported that filming was underway in New York City. Locations included Astoria, Queens, where young Henry’s (Ray Liotta) Brooklyn neighborhood and the Airline Diner were shot. Cargo buildings at the John F. Kennedy Airport stood in as the site of the Air France and Lufthansa heists, and in Manhattan, the Hawaii Kai restaurant on Broadway doubled as Sonny Bunz’s (Tony Darrow) “Bamboo Lounge.” For the three-minute tracking shot which introduces the Copacabana nightclub on 60th Street, the site was slightly altered, with a makeshift wall that was added and removed within the same shot, allowing for a more convoluted pathway through the back of the nightclub. New Jersey locations included the Palisades Parkway and Fort Lee. Coney Island Avenue in Brooklyn, Prospect Park, the city of New Rochelle, and the Catalina Beach Club at Atlantic Beach were also filmed. The completion of principal photography was announced in the 10 August 1989 Hollywood Reporter. Barry Sonnenfeld took over as cinematographer for the last few days of filming, as Michael Ballhaus had to leave to shoot POSTCARDS FROM THE EDGE.

When Ray Liotta and Lorraine Bracco ("Karen") filmed the scene where Karen points a gun in Henry's face, during one take, Liotta threw Bracco off the bed, and the gun flew out of Bracco's hand and hit Michael Ballhaus in the head. Even with that, Ballhaus said that the scene when Henry walks across the street to beat Karen's neighbor in the face, with the butt of his gun, was the most violent scene that he felt he had ever filmed in his career.

Michael Ballhaus was nominated for a BAFTA Award for Best Cinematography for GOODFELLAS. He lost to Vittorio Storaro for THE SHELTERING SKY.

 
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