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 Posted:   May 15, 2017 - 7:14 AM   
 By:   Jim Phelps   (Member)

Am I the only one who'd like to know who and what Jim's quoting? Or am I the only one who doesn't already know?

It's from Soderbergh's THE LIMEY--I quote it at least twice a month around here. Why? Because it fits nearly every occasion.

 
 Posted:   May 16, 2017 - 6:30 AM   
 By:   Jim Phelps   (Member)

No one here in in our particular online "wilderness of pain" is a fan of theirs, but The Doors "magnum opus" The End might also fit the bill of "North Psychedelia."

The Doors' debut album was recorded in 1966 and released in January, 1967.



Warning: Profanity and explicit lyrical content if one stays the course and listens to the entire song--and that's just from the listener! wink

 
 Posted:   May 21, 2017 - 8:14 AM   
 By:   Jim Phelps   (Member)

I wonder if Tim Buckley read or otherwise knew about Miles Davis' admiration for Alex North, as discussed here:

http://filmscoremonthly.com/board/posts.cfm?threadID=21585&forumID=1&archive=1&pageID=1&r=727#bottom




From So What: The Life of Miles Davis by John Szwed:

"Ever since he had heard the score for "A Streetcar Named Desire" in 1952, Miles had been fascinated by Alex North's film music. That was the moment at which North broke with Hollywood's tradition of using nineteenth-century European-derived methods for scoring films and instead began using a kind of simulated Jazz for "Streetcar", weaving trumpet and bassoon lines together over slithering rhythms and quasi-modal themes as the music drifted out from the doorway of the Four Deuces café in New Orleans. Characters in the film were given distinct themes to identify them; the themes were overlapped and worked against each other, underlining their interrelationships and conflicts. Music such as North's would later be associated in the minds of viewers with Film Noir of the 1940s and 1950s, even though none of those films' scores sounded anything like North's. Miles talked the Streetcar score up to everyone; he told his brother, Vernon, "Fuck jazz! Alex North is the man!"

 
 Posted:   Jul 12, 2017 - 3:35 PM   
 By:   Jim Phelps   (Member)

Am I the only one who'd like to know who and what Jim's quoting? Or am I the only one who doesn't already know?

It's from Soderbergh's THE LIMEY--I quote it at least twice a month around here. Why? Because it fits nearly every occasion.



You're welcome, PNJ. smile

 
 Posted:   Jul 12, 2017 - 4:11 PM   
 By:   CCW1970   (Member)

Am I the only one who'd like to know who and what Jim's quoting? Or am I the only one who doesn't already know?

It's from Soderbergh's THE LIMEY--I quote it at least twice a month around here. Why? Because it fits nearly every occasion.



You're welcome, PNJ. smile



"You tell him I'm fucking coming!"

One of my all time favorite Soderbergh films. The DVD commentary track with Lem Dobbs and Soderbergh is great.

 
 
 Posted:   Jul 12, 2017 - 7:13 PM   
 By:   Preston Neal Jones   (Member)

Much obliged, CC! Now I, too, can be one of the cognoscenti.

 
 Posted:   Jul 13, 2017 - 5:00 AM   
 By:   Jim Phelps   (Member)

Much obliged, CC! Now I, too, can be one of the cognoscenti.

That quote is not about some elitist insider knowledge, but rather a way of providing insight to any and all who would wish to understand how a specific time and place is recalled.

Now do listen to the music posted in this topic. Who knows, maybe you'll be inspired enough to scratch out yet another (excellent) book. smile

 
 Posted:   Jul 13, 2017 - 9:14 AM   
 By:   Jim Phelps   (Member)

This must be FSM's first-ever patchouli-scented thread.

The aforementioned "Everybody's Been Burned" by The Byrds brings to mind the sound promulgated by Alex North (who remains a baffingly neglected composer at this forum), specifically the mesmerizing guitar solo starting at the 1:30 mark.



Anyway...great thread, Onya. smile

 
 
 Posted:   Jul 13, 2017 - 9:24 AM   
 By:   Howard L   (Member)

Neglected by many and that's why some of us pump up the volume at any mention. Which reminds me--I've been in a rather The Misfits mood lately. Must be time for another viewing.

 
 Posted:   Jul 13, 2017 - 9:51 AM   
 By:   LeHah   (Member)

"You tell him I'm fucking coming!"

One of my all time favorite Soderbergh films. The DVD commentary track with Lem Dobbs and Soderbergh is great.


One of my very favorite movies. Everything about it works to the nines, if not tens. Kinda got buried between Out Of Sight and Erin Brockovich, both of which I thought were good but not nearly as whip-smart as Limey.

(And yes, that commentary is amazing. "Those mutherf*ckers at Variety...!")

 
 Posted:   Jul 13, 2017 - 10:50 AM   
 By:   CCW1970   (Member)

This thread is too cool and thought-provoking to die, so of course it must. Damn this place to Hell.

Wishfully and of course selfishly, I also choose to hear North's influence on Gabor Szabo, the late, great Hungarian jazz guitarist who gave voice and image to (my perception of) what the mid-to-late 1960s "felt like."

"Did you ever dream about a place you never really recall being to before? A place that maybe only exists in your imagination? Some place far away, half remembered when you wake up. When you were there, though, you knew the language. You knew your way around. *That* was the sixties. [pause] No. It wasn't that either. It was just '66 and early '67. That's all there was."

I wish Szabo had been employed as a featured soloist on a score composed by Alex North. I wish a lot of things.

Gabor Szabo, "Galatea's Guitar":



"Love is Blue":



Szabo also did a great--make that the best--rendition of "Theme from Valley of the Dolls":



I'd never heard for Szabo before. Great stuff, especially "Galatea's Guitar." Thanks for sharing!

 
 Posted:   Jul 13, 2017 - 11:01 AM   
 By:   Jim Phelps   (Member)

And thank you--and others here--who have contributed positive, enthusiastic posts. smile I like that this thread can spawn off discussion on things as diverse, yet also oddly connected, like THE LIMEY (yes, another big fan here), Gabor Szabo, and Alex North's brilliance and influence (the latter whether realized or not)

IMO Szabo's best is "Three King Fishers":

 
 Posted:   Jul 14, 2017 - 6:24 AM   
 By:   Jim Phelps   (Member)

...and of course when I post all that effusive praise, the thread dies. LOL!

 
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