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His career right now isn't what I'd call dazzling. This film, "Naked" next, and a TV series based on "Green Eggs and Ham". Apparently "The Cat in the Hat" was enough torture for him, he needed more.
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I don't know -- are we saying successful as in money taken in or in general terms? I don't know about the money, but Newman's comedy scoring career has been poor/terrible for over a decade now: "A Christmas Story 2" (what an insultingly awful sequel) "Big Mommas: Like Father, Like Son" A few Scooby Doo sequels. The endless barrage of Shitmunk films. "Norbit" "The Cat in the Hat" (also insultingly bad) And a rejected effort for that insultingly bad "Pink Panther" revisioning. Maybe others, but I'm not familiar with the rest/familiar enough with he rest to list them.
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Posted: |
Jul 24, 2017 - 5:26 PM
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By: |
SBD
(Member)
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This kind of film is also not my cup of tea, but it was a big hit this weekend and it's target audience seems to be loving it, so I'm happy for Newman that he has another hit comedy. It's pretty amazing that Newman has been scoring successful comedies in Hollywood for thirty years, and this continues that winning streak. I too would love for him to be doing more different kinds of films, of course - a new David Newman drama or horror score would be fantastic. But I'm happy that - unlike most of his mid-80s contemporaries - Hollywood is still consistently calling him for something. Indeed. Big fan that I am, I'd rather have Newman scoring under-the-radar stuff like this than nothing at all. As to Justin's list, there was also a pair of direct-to-DVD "Scooby-Doo" movies and Jackie Chan's THE SPY NEXT DOOR, all likely done as favors to FLINTSTONES director Brian Levant and ARMY OF ONE (and from what little I've seen of the latter, it seems that Larry Charles filmed Nicolas Cage in the same way Bobby Bowfinger directed Kit Ramsey, and I defy anyone to prove me wrong; Charles did direct BORAT, after all).
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