Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   Aug 18, 2017 - 1:22 AM   
 By:   The Wanderer   (Member)

I think Killbots was rereleased as Chopping Mall.

 
 
 Posted:   Aug 18, 2017 - 1:38 AM   
 By:   Bob DiMucci   (Member)

[Romero's] film There's Always Vanilla had a similar scenario, but I've forgotten the other title (s).


George A. Romero's second feature had the working title "The Affair," but rather than release the film with that mundane title, Romero chose THERE’S ALWAYS VANILLA. The title was taken from a scene near the end of the film in which "Roger Bradley" (Roger McGovern) uses the analogy of an ice cream parlor to suggest to his son "Chris" (Ray Laine) that when he cannot make up his mind about the direction of his life, the mundane is always available. It was under that title that Variety reviewed the picture on 12 January 1972.




The film seems to have gotten few bookings from its distributor, Cambist Films. Figuring that the title was the problem, someone decided to go back to the working title, and the film was also advertised as THE AFFAIR. Under either title, the film was so little seen that some sources claim that it was not released at all.





 
 
 Posted:   Aug 18, 2017 - 2:18 AM   
 By:   Bob DiMucci   (Member)

Romero's Jack's Wife aka Hungry Wives aka Season of the Witch


Although, according to a 1980 Village Voice article, the release title of HUNGRY WIVES at its New York premiere was "Jack's Wife," reviews in 1973 gave the title as HUNGRY WIVES. And the ad matte below suggests that the New York premiere of the film was under the alternate title SEASON OF THE WITCH. In any case, it was another Romero film that received scant distribution, this time from Jack H. Harris Enterprises.

In passing, it should be noted that Jack H. Harris died on March 14th of this year at the age of 98. He is most famous for producing 1958's THE BLOB.



 
 Posted:   Aug 18, 2017 - 4:39 AM   
 By:   Ray Faiola   (Member)


Hal Roach sold BABES IN TOYLAND to Federal Films, which in turn leased it to Lippert Pictures for a theatrical re-release in 1950 under the title MARCH OF THE WOODEN SOLDIERS. Lippert cut about 6 minutes from the 78 minute film for the re-issue.


After I unearthed the MGM fine grain for a never-to-realize release by CBS/Fox Video, I did more research on the picture and found some interesting memos at the MP Academy. LeBarron and Morros of Federal had bought the film with the idea of remaking it in Technicolor. Unfortunately, their script was rejected by the Breen Office for "multiple examples of implied incest and bestiality". Federal then leased the picture to Robert Lippert for reissue in the US and to Joseph Auerbach in the UK. The US reissue had to change the title and removed the opening song due to rights owned by the Victor Herbert estate. They then had to cut the "Go To Sleep" number because Tom Tom and Bo Peep wound up sleeping next to each other - with his arm around her waist - on the floor of the Bogeyland cave. When Erko released the film for rental in 16mm, they cut all the close-ups of the Bogeymen as they felt they were too gruesome.

In addition to the uncut feature, I have prints of all the various reissue main title sections. The only one I am missing is the 60's reissue of REVENGE IS SWEET (though I do have the one-sheet). This poor, wonderful film has been through the ringer over the decades but finally it has come home to rest at MGM in its complete, unexpurgated form.

One of the aspects of the picture that is never discussed is Howard Jackson's excellent adaptation score including his use of "I Can't Do The Sum" as Stan and Ollie's theme motif. His "Attack of the Bogeymen" climax is a wonderful kaleidoscopic fabric using the "Spider" theme, the "March of the Toys" and wonderful escalating military chord progressions.

 
 
 Posted:   Aug 18, 2017 - 7:52 AM   
 By:   GoblinScore   (Member)

Thanks Bob, you the man! :-)
For the record, or what it's worth, I love all those aforementioned Romero films - no classics by any stretch, but his editing genius shines through at the very least, as well as peeks of things to come. There is a forthcoming Arrow Blu box set of Witch,Crazies (4k?!), Vanilla, slated for Oct.

-Sean

 
 
 Posted:   Aug 18, 2017 - 11:24 AM   
 By:   Bob DiMucci   (Member)

There is a forthcoming Arrow Blu box set of Witch,Crazies (4k?!), Vanilla, slated for Oct.
-Sean



That will be worth waiting for. When Anchor Bay released their DVD of Witch & Vanilla in 2005, they put a disclaimer at the start of the disc, saying that proper film elements couldn’t be found, and that what was used for the transfer was below Anchor Bay’s usual standards. The disc was basically VHS quality, and possibly was mastered from earlier videotapes. In any case, it was alleged at the time that there was only one surviving print of Witch.

Both films were shot in 16mm, and it will be interesting to see if Arrow has uncovered better elements.

 
 Posted:   Aug 18, 2017 - 11:27 AM   
 By:   Justin Boggan   (Member)

I don't know about the success or failure of it, but the 1973 film "The Mack" was re-released years later and rescored by Alan Silvestri (the original version is scored by Willie Hutch).

 
 
 Posted:   Aug 18, 2017 - 11:51 AM   
 By:   Bob DiMucci   (Member)

Romero's The Crazies aka Code Name Trixie


Some sources suggest that CODE NAME TRIXIE was just the working title for 1973's THE CRAZIES. Others list it as a release title as well. It's likely that THE CRAZIES was the initial release title. And while advertising art with the CODE NAME TRIXIE title was prepared, it's unclear as to the extent of its use.



 
 
 Posted:   Aug 18, 2017 - 1:18 PM   
 By:   Rozsaphile   (Member)

CITIZENS BAND (1977) still flopped under the new title HANDLE WITH CARE. Jonathan Demme's career blossomed later.

 
 
 Posted:   Aug 18, 2017 - 2:36 PM   
 By:   Bob DiMucci   (Member)

"The Ninth Configuration" (1980) was re-released with a new title, "Twinkle, Twinkle Killer Kane".


In 1966, William Peter Blatty's novel Twinkle, Twinkle, "Killer" Kane was published. Blatty adapted the novel into a screenplay, and intended for it to be filmed by William Friedkin. Blatty said that the script "was what you might call bizarre material. I had hoped to direct it myself. But after seeing THE NIGHT THEY RAIDED MINSKY'S (1968) I thought the script would be safe with Friedkin. I sent it along to him. He liked it. But we couldn't find a studio that liked it."

After THE EXORCIST was completed, Blatty returned to Twinkle, Twinkle, "Killer" Kane. In lieu of filming the novel, Blatty decided to rewrite it. The rewritten version of Twinkle, Twinkle, "Killer" Kane was published in 1978 under the title The Ninth Configuration.

Blatty then developed The Ninth Configuration into a screenplay for Columbia Pictures. Columbia then placed the screenplay in turnaround; Blatty took the script to Universal Pictures. Universal rejected it.

With no major film studio prepared to fund THE NINTH CONFIGURATION, Blatty decided to raise the film's $4 million budget by putting up half the money himself, and persuading the PepsiCo conglomerate to provide the remaining $2 million. The company had funds that couldn't leave the country of Hungary, and to use them, they decided to co-finance the film.

THE NINTH CONFIGURATION has actually emerged over the years in numerous formats, most of which were constructed by Blatty himself. Refined from an unwieldy first assembly of over three hours, the film was originally issued at 105 minutes in the U.S. by Warner Bros. in early 1980.




After initially poor box office returns in its test markets, Warner Bros. returned the film to Blatty and allowed him to take it to another distributor. Blatty created an abridged 102-minute version re-titled TWINKLE, TWINKLE, "KILLER" KANE which United Film Distribution put out in August 1980. This was the version reviewed by the New York Times and which was nominated as Best Picture at the Golden Globes. (It won the Best Screenplay Golden Globe for Blatty.)




In the U.K. Lorimar's 109-minute international version was theatrically released by ITC with an 'X' Certificate, with Guild Video subsequently issuing an alleged 108-minute cut for home video. Although this may in fact be the same cut, small differences between the Guild video and British television versions suggest that distinct 108- and 109-minute cuts could indeed have circulated.




Unsatisfied with all the extant versions, Blatty finally decided to definitively re-cut THE NINTH CONFIGURATION for a New World re-release in 1985, creating the 117-minute, 37-second cut which now stands as his approved assembly.

 
 
 Posted:   Aug 18, 2017 - 3:18 PM   
 By:   Bob DiMucci   (Member)

I think Killbots was rereleased as Chopping Mall.


Jim Wynorski's film was released regionally in March 1986 at 95 minutes under the title KILLBOTS. It performed poorly during its initial release. The producers felt the movie's title might have disinterested audiences, who might think based on the original movie poster that it was a "Transformers"-like children's cartoon instead of a violent exploitation movie. In fall 1986, the movie was reissued with the title CHOPPING MALL with over 15 minutes cut.



 
 
 Posted:   Aug 18, 2017 - 3:36 PM   
 By:   Bob DiMucci   (Member)

I don't know about the success or failure of it, but the 1973 film "The Mack" was re-released years later and rescored by Alan Silvestri (the original version is scored by Willie Hutch).


This is definitely not a film that fits the criteria here. THE MACK is a film that kept getting re-released because it performed so well at the box office. And because it did so well, it kept the same name throughout.

In THE MACK, when small-time pimp “Goldie” (Max Julien) is released from prison after suffering through a five-year sentence, he learns that he was framed by the police. Don Gordon played “Hank,” one of the policemen who framed Goldie. Michael Campus (Z.P.G.) directed the 1973 Blaxploitation film, which was initially distributed by Cinerama Releasing Corp. (CRC). The film’s song score was by singer-songwriter Willie Hutch, and was released on LP by Motown.




THE MACK was re-released to theaters in 1977 by American International Pictures, who had acquired it from the producers after CRC had dissolved. At that time it still carried the Willie Hutch song score.




Subsequently, however, the film was acquired by the Producers Distribution Company, which re-released it to theaters again in 1983 through Blossom Pictures. For that release, Willie Hutch’s song score was discarded and replaced with an instrumental score by Alan Silvestri. The reason for this is unknown. Perhaps the new distributors wanted to have their own soundtrack to exploit. The re-release poster for the film noted “Soundtrack available on Posh Boy Records.” However the LP with Silvestri’s music was actually released by ALA Records.

Reportedly, the 2002 DVD release of THE MACK, by New Line Video, has reverted back to the Willie Hutch score, which was issued on CD in 1996.

 
 
 Posted:   Aug 18, 2017 - 3:53 PM   
 By:   Bob DiMucci   (Member)

CITIZENS BAND (1977) still flopped under the new title HANDLE WITH CARE. Jonathan Demme's career blossomed later.


CITIZENS BAND was a critically acclaimed box office dud. This Jonathan Demme film is about how the citizens band radio craze of the 1970s affected the lives of all of the characters in the film. It was Demme’s first film not connected with Roger Corman.

CITIZENS BAND opened on 18 May 1977 in 200 theaters in thirty cities (not including New York). It was quickly pulled from venues when it failed to draw audiences. Paramount retitled the film HANDLE WITH CARE and it was selected to screen at the New York Film Festival on 30 September 1977. Paramount planned to then open the film in New York City at the Little Carnegie, a Manhattan art-house theater. But Daily Variety reported that the four-week engagement at the Little Carnegie was “disastrous.” In November 1977, Paramount then took the unusual measure of booking the film into two New York City theaters for five days of free screenings. But nothing could stir interest in the film.

CITIZENS BAND finally got a videotape release in 1998, in the waning days of VHS, and is available as a download, but has never been on DVD. Like Paramount's barely seen WHITE DOG, it might make a good Criterion release.



 
 
 Posted:   Aug 18, 2017 - 11:02 PM   
 By:   The Wanderer   (Member)

Thanks for the Killbots/Chopping Mall posters, Bob. Also I didn't know they'd cut the film down. Its actually a very fun film!

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.