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Posted: |
Mar 18, 2018 - 11:05 AM
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By: |
Graham Watt
(Member)
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I'll still say BRAVEHEART. And although I've become a LOT more cynical since 1996, about Hollywood hokum, Scottish heroes and life in general, I can't ignore the fact that every time I catch a bit of BRAVEHEART on the telly, I still think, "Golly, that's a wonderfully-scored scene". I'm veering more and more towards "really old stuff" in my choice of listening, and it's quite sobering to think that BRAVEHEART was 22 years ago. 22 years before that was 1974 and my actual conscious awakening to film music, and 22 years before that it was 1952, which sounds so distant in time that it may as well have been 1852.
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As a music lover I am happy that such music fair was written during that year. who cares what the best dramatic score was? I have three of them and love them all.
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My choice? This is George Fenton's The Crucible.
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Braveheart, but my favorite track of the year was All systems go - The Launch for Apollo 13.
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IL POSTINO was fine for me, of what is there. But Jerry Goldsmith's FIRST KNIGHT, Marc Shaiman's AMERICAN PRESIDENT, Patrick Doyle's THE LITTLE PRINCESS and even one of my few Elfman favorites DOLORES CLAIBORNE would trump it if they were nominated. 1996 was a year when there was also a comedy/musical Oscar for best score. 'The American President' was nominated in that category. Others: Pocahontas (the winner), Sabrina, Unstrung Heroes, and Toy Story. -
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The nominees were: APOLLO 13 James Horner BRAVEHEART James Horner SENSE AND SENSIBILITY Patrick Doyle NIXON John Williams IL POSTINO Luis Bacolov Of these? My pick? BRAVEHEART
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Braveheart
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Il Postino for me. What a great tune that flavored the entire score. 96 may have been a good best score year, but what about the 69 Oscars? The Lion in Winter The Fox Planet of the Apes The Shoes of the Fisherman The Thomas Crown Affair
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