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search engine dammitttttttt!!!!!!!!
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I'll be the descenting voice. I happily traded away the re-recording released by GNP. For me, the film tracks are the only way to go.
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The re-recording of "Break Out" is a superb action track. The same track on the Intrada original recording is frustrating to listen to by comparison.
I like the stuttery pacing of the original recording, but when you want to blow someone's socks off, you put on the original album, no question.
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I'll be the descenting voice. I happily traded away the re-recording released by GNP. For me, the film tracks are the only way to go.
that's "dissenting"
your welcome
brm
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I'll be the descenting voice. I happily traded away the re-recording released by GNP. For me, the film tracks are the only way to go.
that's "dissenting"
your welcome
brm
You capitalize the starts of sentences. Also missing punctuation.
And that's "you're" as in "you are welcome".
You're welcome.
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I'll be the descenting voice. I happily traded away the re-recording released by GNP. For me, the film tracks are the only way to go.
that's "dissenting"
your welcome
brm
You capitalize the starts of sentences. Also missing punctuation.
And that's "you're" as in "you are welcome".
You're welcome.
tooshey!
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I think in a way this was the quintessential Goldsmith action score and though I know I've heard some dissenting views I feel that it laid the blueprint (especially rhythmically) for both later Goldsmith as well as other film composers. I even heard some Goldsmith-esque rhythms on Close Encounters.
One of the things JG brought to the table is extensive use of the muted piano. By muting certain instruments, you get a quasi-muffled sound that can be played both legato and staccato (string orchestras, for instance) and gives a more restrained, less ringing sound. The choppy sound of the patented Goldsmith rhythm serves as the perfect, edgy counterpoint to JG's more involved percussive excursions.
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double yay
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One thing that is a sort of trademark is that 'Fats' see-sawing na-na, na-na, na-na of the harmonica from Magic which appears here mainly on piano, I think. It's like JG's version of "Danger, Will Robinson!" Watch out, watch out, Fatz about.
I hadn't thought of that...cool! Magic is an excellent score, too imo.
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Posted: |
Apr 10, 2018 - 8:28 AM
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By: |
Grecchus
(Member)
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One thing that is a sort of trademark is that 'Fats' see-sawing na-na, na-na, na-na of the harmonica from Magic which appears here mainly on piano, I think. It's like JG's version of "Danger, Will Robinson!" Watch out, watch out, Fatz about.
I hadn't thought of that...cool! Magic is an excellent score, too imo.
It also appears in Alien, come to think of it. It's those two notes repeating about four times. If you go back even further, you get to: dun-dun, dun-dun, dun-dun, dun-dun, dun-dun, DUN-dun. It isn't inconceivable JG borrowed a concatenated sequence from you know who, for placement in his own motifs.
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