If it's just another droney horror thing by Haslinger, I'm not interested. But if it's a good melodic, funky electronica affair like HALT AND CATCH FIRE, I might be interested.
Sadly, the good scores from Haslinger are few and far between, strange taking into account the dynamite melodic stuff TD did between 86 and 90. But it seems like he took a conscious decision to move beyond the TD sound when he left. I still think the stuff he did for the Pointman pilot in 1994 is the most fun thing he did, revisiting the 80s TD sound.
