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 Posted:   Apr 16, 2018 - 5:58 AM   
 By:   Mathias   (Member)

This version of the main theme (GBU) from the Danish National Symphony Orchestra is actually more faithful to the original than Ennio´s own concert version: https://www.youtube.com/watch?v=KkM71JPHfjk

 
 Posted:   Apr 16, 2018 - 8:45 AM   
 By:   Lukas Kendall   (Member)


Wow! Outstanding! Thank you for posting!

Lukas

 
 Posted:   Apr 16, 2018 - 9:02 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Agreed, not bad at all.
Certainly is better than ennio live. Both the gbu theme and ecstasy of gold.
Somebody who did the orchestration certainly did their homework on how it should sound.
Nice that they did - correctly - two different singers for ecstasy.
And the lady doing the alessendroni wah wah wahs didnt make a bad fist of it.
Good find Mathias.

I liked the eastwood in poncho backdrop and even better - the dummy being hung from the ceiling! Superb.

 
 Posted:   Apr 16, 2018 - 9:08 AM   
 By:   MusicMad   (Member)

Wow indeed! Excellent performance ... I wonder if the male chorus loosened their ties to help get into the spirit.

And wasn't it lucky that there was a soprano in the (balcony) audience ready to step in when she realised the orchestral performance was missing this key element! smile

Mitch

 
 Posted:   Apr 16, 2018 - 9:12 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Yes and that she was dressed for the part, and not in jeans and t shirt? Remarkable stroke of luck. Sign her up!

 
 
 Posted:   Apr 16, 2018 - 9:14 AM   
 By:   Graham Watt   (Member)

Brilliant! Coincidentally, just yesterday I happened across the same orchestra doing Goldsmith's "No Escape" from PLANET OF THE APES. It was stunningly great. And now I've just dipped into some of their other Morricone renditions. They're absolutely fantastic!

 
 
 Posted:   Apr 16, 2018 - 9:19 AM   
 By:   Leo Nicols   (Member)

Bravo !!!
There will never be another 'I cantori moderni di Alessandroni' but this comes pretty close !

 
 
 Posted:   Apr 16, 2018 - 9:25 AM   
 By:   Tall Guy   (Member)

Wow indeed! Excellent performance ... I wonder if the male chorus loosened their ties to help get into the spirit.

And wasn't it lucky that there was a soprano in the (balcony) audience ready to step in when she realised the orchestral performance was missing this key element! smile

Mitch


Heh! Yep, just nipped out to the car to listen to this as I work with philistines who wouldn’t necessarily appreciate this stupendous performance. The hanging dummy (I hope!) was a lovely macabre touch that I doubt the guardians of the Royal Albert Hall would allow!

 
 Posted:   Apr 16, 2018 - 9:39 AM   
 By:   Nicolai P. Zwar   (Member)

Wow, excellent! Top!

 
 Posted:   Apr 16, 2018 - 10:05 AM   
 By:   jackfu   (Member)

Wonderful, thank you!
How much pressure is on you to get the whistle just right?!
I mean a wind instrumentalist's solo with a slightly missed note is quickly overlooked, but if you miss that whistle - your mouth is a little dry, your lips don't pucker just right, and talk about a disaster!

 
 
 Posted:   Apr 16, 2018 - 10:17 AM   
 By:   arne.dupont   (Member)

There is more from this fine koncert here:
https://www.youtube.com/watch?v=bdZkFXiiio8&list=PLysPxrQwj2YdDTZusQ77kLaprOpWQh-Bg

 
 Posted:   Apr 16, 2018 - 11:10 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Thanks arne

 
 
 Posted:   Apr 16, 2018 - 11:27 AM   
 By:   Morricone   (Member)

YES! I have spent all my life going to concerts done by my favorite composers and they all had one thing in common. They all believed that the concert hall was a different animal and watered down their music to fit that medium. John Williams, Jerry Goldsmith, Elmer Bernstein, Henry Mancini, Lalo Schifrin, David Grusin, Maurice Jarre, Georges Delerue, Johnny Mandel and a ton of others altered their music to various degrees beyond the constraints of a given orchestra. And that goes for what evidence we have from Miklos Rozsa and Bernard Herrmann. Not that any of them gave bad concerts but, as I said, watered down ones. So I have looked for other conductors to go to extra lengths to adhere to the idiosyncrasies of film music that makes it stand out. Among them David Newman, John Mauceri, William Stromberg, Thomas Wilkins, Steven Allen Fox and others have made efforts to move given arrangements toward the original sound and, man, am I grateful.

It is lovely to add Sarah Hicks to that list.

Great!

 
 
 Posted:   Apr 16, 2018 - 11:31 AM   
 By:   Thor   (Member)

Great performance (although I had to giggle at the headline, cutting it off at "The Danish Nation....").

Btw, I checked out some of the other videos by the orchestra on Youtube, and they're really good. They even do a rendition of BLADE RUNNER that's pretty reverent!

Great to see my neighbouring country treating the artform so wonderfully. We really have nothing like this in Norway.

 
 
 Posted:   Apr 16, 2018 - 11:33 AM   
 By:   Marcato   (Member)

they use the same orchestrations as Ennio did for his version as far as I can hear

 
 
 Posted:   Apr 16, 2018 - 11:50 AM   
 By:   The Wanderer   (Member)

I'd be very happy if i went to a concert and that version was played. Wasn't expecting something so well done.

I wish they'd do Jaws. The concert version i heard at a John Williams music concert in Manchester in December was absolutely atrocious (though most everything else was great).

 
 
 Posted:   Apr 16, 2018 - 12:04 PM   
 By:   arne.dupont   (Member)

It does not always has to be film music. This is one my favorites. I was at this concert some years ago. This orchestra is fantastic and the concert hall is first class:
https://www.youtube.com/watch?v=oI79JroEvfE

 
 Posted:   Apr 16, 2018 - 12:04 PM   
 By:   other tallguy   (Member)

I ran across this last week. It's not the sort of thing you expect to be done so well live.

 
 Posted:   Apr 16, 2018 - 12:08 PM   
 By:   Yavar Moradi   (Member)

YES! I have spent all my life going to concerts done by my favorite composers and they all had one thing in common. They all believed that the concert hall was a different animal and watered down their music to fit that medium. John Williams, Jerry Goldsmith, Elmer Bernstein, Henry Mancini, Lalo Schifrin, David Grusin, Maurice Jarre, Georges Delerue, Johnny Mandel and a ton of others altered their music to various degrees beyond the constraints of a given orchestra. And that goes for what evidence we have from Miklos Rozsa and Bernard Herrmann. Not that any of them gave bad concerts but, as I said, watered down ones. So I have looked for other conductors to go to extra lengths to adhere to the idiosyncrasies of film music that makes it stand out. Among them David Newman, John Mauceri, William Stromberg, Thomas Wilkins, Steven Allen Fox and others have made efforts to move given arrangements toward the original sound and, man, am I grateful.

It is lovely to add Sarah Hicks to that list.

Great!


I agree with this completely. And Williams has done it not only with his own music, but also (to my dismay) others such as Bernard Herrmann. I remember David Newman conducted one Sunday night at the Hollywood Bowl after Williams had done a different concert program the previous two nights. Among David's choices was to do the entire opening sequence of Raiders of the Lost Ark live to film, and I found that so much more fantastically exciting than Williams's same old pop excerpts from the same score the previous evening.

Yavar

 
 Posted:   Apr 16, 2018 - 3:44 PM   
 By:   Bill Carson, Earl of Poncey   (Member)

Good points henry. I know i was really really lucky to attend the Allesandroni leone concert in castelfranco and they were the best live renditions of ennios western themes id ever seen. Historically some of it was posted on youtube. This one cuts the mustard though..

 
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