Quite ambient and dreamy, from what I've heard so far. Tinkly piano over a bed of synthy strings and a sirens call. Wallfisch's recording/production style is full-on modern sound now.
Really enjoying this one. I’ve followed Benjamin Wallfisch output from his early days onward and was surprised how much I liked this after expecting to hear just a usual ‘thriller’ score as some of his recent stuff has left me a bit ... ‘ mehhh’
This one seemed a bit too static for me.. just starts on one note and than continues without much of a development until the end and then just stops just as it started... maybe after the film it will make more sense and will deserve being revisited...
I am a bit more curious if we'll ever get to hear KEEPERS (aka THE VANISHING)...
This is overlong and borrows heavily from his Vangelis-like stirrings in Blade Runner 2049 & Dunkirk, but the ambient/dreamy Isham styled tracks are very soothing and tranquil when divorced from the more sound designy/thriller cues. They make for a meditative experience on their own.
