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 Posted:   Jul 9, 2018 - 9:55 PM   
 By:   Zooba   (Member)

There was a 1000 unit Varese Release of Alex North's Score to the Feature Film LES MISERABLES. If you were lucky to have picked this up, can you please share your thoughts and what it is like?

Thanks,

Zoob

I just found a Sealed Copy on Ebay and grabbed it BUY IT NOW for $15.00



 
 
 Posted:   Jul 9, 2018 - 10:28 PM   
 By:   GoblinScore   (Member)

My not-intended-to-be-belittling review ... .it's good, whenever I play it I never want to turn it off after 15mins. Sound is very good for the era. I remembered it being a bit more sentimental then Noth's later work....a bit in the Alfred Newman, more than the European, vein. Fitting since Newman conducted Miz, which I'd forgotten. There are some Northian touches that slip through here and there.
The lengthy Barricades cue, I seem to recall, looks ahead to similar, astringent battle music in Cleopatra. Very fascinating early North , a bargain at $15. Think I'll pull this for the ride to work tomorrow. One of my favorite things this board offers....reminders!
Cheers zoob, how ya been captain? Hope all is well with you dude.
-Sean

 
 Posted:   Jul 10, 2018 - 7:45 AM   
 By:   Yavar Moradi   (Member)

Agreed, pretty much. I don’t usually care for North but this is a more conventional Golden Age score from him and it’s one of my North favorites. The Barricades cue is a tour de force indeed, and there are other very good cues too like the short but excellent Jean Turns Towards Door.

The score is conducted by Alfred Newman and sometimes the strings sound very Newman-ish. I will admit to wishing that Newman had scored this because I think there would have been better use/development of themes. In this North score, if you like a theme you may never hear it again (or perhaps only once or twice more).

Yavar

 
 
 Posted:   Jul 10, 2018 - 11:19 AM   
 By:   Prince Damian   (Member)

Not too technical but I like it quite a bit,the film's quite good too.

 
 Posted:   Jul 10, 2018 - 11:24 AM   
 By:   SchiffyM   (Member)

I don’t usually care for North but this is a more conventional Golden Age score from him and it’s one of my North favorites.

As somebody who almost always loves North, this is one of my least favorites. And probably for the same reason, inverted!

 
 Posted:   Jul 10, 2018 - 12:43 PM   
 By:   Sean Nethery   (Member)

Well, I never bought this, but I just listened to a few brief clips online, and I must say I would never have guessed that it's Alex North. (Barricades was not available, of course.) Must be why I didn't purchase it when it was available.

I'm with the GoblinScore, maybe my favorite reason for coming to these parts is to be reminded of a score that I had forgotten. So it's kind of funny that as I searched for the recording on Spotify (it's available but not in the U.S.), I found the Adriano-conducted Honegger recording of the 1934 version, which I don't know. I'm quite enjoying it. So thanks for the spur!

 
 
 Posted:   Jul 11, 2018 - 3:05 AM   
 By:   Les Jepson   (Member)

If you think "Sea Battle" (The Battle of Actium) from CLEOPATRA is the bee's knees, then you must have LES MISERABLES for the monumental "Barricades" cue. Way ahead of it's time.

 
 
 Posted:   Jul 16, 2018 - 7:38 PM   
 By:   Zooba   (Member)

Just received this today from the ebay seller. Giving a listen. So far I've listened to the "BARRICADE" cue. Wow, 11 minutes in length and definitely contains seeds of SPARTACUS and sounds and rhythms of North to come. Written in 1952 by North, parts of this cue remind me of Goldsmith's early 50's CBS Radio work, especially Jerry's action material for "The Highway Man" score he did to accompany William Conrad's narration. Wonder if Goldsmith was aware of North back then? Probably, as North did score a CBS Radio Workshop I believe for that show, "The Hither and Thither of Danny Dither".

"Madame Courbet" cue evokes the weight and passion and sense of sadness in his music that he would use in parts of THE BAD SEED in a few years.

"The Potter Shop" is a very charming cue featuring little delicate jabs and accents. Great use of chimes in one section. Again sound like some of Goldsmith's future work. There is such a deepness to so much of North's work. I love it when "I get it". The maestro's music really speaks to me mostly in his moments of sad passion. Orchestrations that truly can reach a person's soul. At times so heartbreaking and with a longing for comfort. "Fantine Collapses" You got me Maestro.

"Magnificat" a beautiful choral piece, sounds like sung by nuns. Wow, it really sounds like something that would be sung in church. Did North write the music and choral lyrics or is this a non-North piece of Church Music? It's great. If it is North, truly amazing.

 
 
 Posted:   Jul 16, 2018 - 8:06 PM   
 By:   Jim Doherty   (Member)

Take this any way you want to, but I hope it helps you. I am not really a fan of North's more experimental, less-tonal works. For a long time, I put off buying this CD because I thought it would be one of those kind of scores, until a friend played it for me. As has been stated by other posters, it contains some of North's distinctive traits and harmonies, etc., but overall, is more in the vein of the classic 1950s romantic sound. I especially like the transformation of the main theme (as heard in the Main Title in an aggressive and despairing variation), into the major key triumphant version in the End Title.

If you're looking for really "Northian" stuff, this score isn't it. If you're looking for something more mainstream than normal (for North), I think you'll love this score.

Jim

 
 
 Posted:   Jul 16, 2018 - 8:11 PM   
 By:   GoblinScore   (Member)

Well said Jim - in thinking about this score lately its somewhat of a Newman/North collaboration alà The Egyptian. I realize it's only AN's conducting that flavors the score, but it's very heavily seasoned. That is the most Kirgo-esque thing I've ever, or will ever write.

 
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