The other day I noticed a fairly new label on bandcamp with an already impressive catalogue !! However, I am pretty sure that some of these scores were recorded within the U.S. so I was wondering how they are able to recoup their money through somewhat cheap downloads !?
Clearly bootlegs. I’m sure no re-use fee was paid on these “releases”.
Check for example the description of Slipstream which is offensive to Lukas Kendall. Or the samples of Psycho III which is an album transfer with lots of music added that have nothing to do with the actual score.
Not to mention Silvestri's M:I. (they also claim a 'friend label' will publish the complete Elfman score but imply they can't because it'd cost them too much money....hmmm...)
