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November, 9th
https://itunes.apple.com/nz/album/fantastic-beasts-crimes-grindelwald-original-motion/1438572558
1 The Threstal Chase 8:04
2 Newt and Leta 2:32
3 Dumbledore 2:11
4 The Kelpie 1:32
5 Newt and Jacob Pack for Paris 2:27
6 Nagini 4:15
7 Newt Tracks Tina 2:27
8 Queenie Searches for Jacob 1:35
9 Irma and the Obscurus 2:56
10 Blood Pact 2:29
11 Capturing the Zouwu 1:33
12 Traveling to Hogwarts 1:06
13 Leta's Flashback 4:40
14 Salamander Eyes 2:38
15 Matagots 2:15
16 Your Story is Our Story 3:21
17 Leta's Confession 5:14
18 Vision of War 3:49
19 Spread the Word 4:01
20 Wands into the Earth 4:04
21 Restoring Your Name 6:20
22 Fantastic Beasts: The Crimes of Grindelwald 2:40
23 Dumbledore's Theme (Piano Solo) 1:27
24 Fantastic Beasts Theme (Piano Solo) 1:37
25 Leta's Theme (Piano Solo) 2:04
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ETA: To the OP, you may want to correct the typo in the header (it's "Grindelwald") just so this thread can be found easier later.
Done! 
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Annoyed, as usual, by the unresolved conclusion to the end credits cue which is otherwise nice.
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Tracks 19 and especially 20 with it's bell-like brass are back-to-back knockouts. I think the recording is the best, most organic sound his scores have had in years!
I listened to tracks 19 and 20, both highlights you mentioned, and neither one of them is any good at all! They both sound like the background to a theme, only there's no theme on top of them (as per usual these days). The first one is like the "Statues" cue from Desplat's Potter, only somehow less thematic than that. The piano versions of the themes, however, are great, and I like those a lot. I'll have to absorb those more so I can maybe find these themes in the score proper.
Also, the recording sounds like shit. So much so that, when I switched to The Grinch after, Elfman's score actually sounded really fresh and vibrant.
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Posted: |
Nov 13, 2018 - 9:25 AM
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By: |
Solium
(Member)
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Tracks 19 and especially 20 with it's bell-like brass are back-to-back knockouts. I think the recording is the best, most organic sound his scores have had in years!
I listened to tracks 19 and 20, both highlights you mentioned, and neither one of them is any good at all! They both sound like the background to a theme, only there's no theme on top of them (as per usual these days). The first one is like the "Statues" cue from Desplat's Potter, only somehow less thematic than that. The piano versions of the themes, however, are great, and I like those a lot. I'll have to absorb those more so I can maybe find these themes in the score proper.
My first time listening to those two cues were rather positive. They sounded epic! Then when I played them a few more times something bugged me and I realized they sounded like "Two Steps From Hell" trailer music. So while they are highlights of the score, their rather generic compositions.
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Tracks 19 and especially 20 with it's bell-like brass are back-to-back knockouts. I think the recording is the best, most organic sound his scores have had in years!
I listened to tracks 19 and 20, both highlights you mentioned, and neither one of them is any good at all! They both sound like the background to a theme, only there's no theme on top of them (as per usual these days). The first one is like the "Statues" cue from Desplat's Potter, only somehow less thematic than that. The piano versions of the themes, however, are great, and I like those a lot. I'll have to absorb those more so I can maybe find these themes in the score proper.
My first time listening to those two cues were rather positive. They sounded epic! Then when I played them a few more times something bugged me and I realized they sounded like "Two Steps From Hell" trailer music. So while they are highlights of the score, their rather generic compositions.
Yes, same as the "Statues" cue - just generic. I thought Elfman's Grinch was bad, too, but playing it after this makes Grinch sound like a lost classic from 1995 or something.
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