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Posted: |
Oct 13, 2018 - 7:48 AM
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By: |
OnyaBirri
(Member)
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Several years ago, my wife and I were on a Raymond Chandler kick, and we tried to watch the film adaptation of "The Lady in the Lake," circa 1947. Everything is shot from the protagonist's point of view, i.e., the camera shows only what the protagonist sees, so the viewer is in effect the protagonist. We found it annoying, but we tried to go with it. We gave up after about 20 or 30 minutes. Last night, we watched "Dark Passage," and the film starts out using the same technique. I thought, "Oh no, not this again," until I realized there was a specific purpose in doing so for the first quarter or so of the film. It then switched to a more conventional mode of film making. Obviously, this device never caught on, thankfully, but I am wondering if there have been other notable attempts, and if anyone was able to pull it off better than "Lady in the Lake."
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Welles worked on a POV version of Heart of Darkness before changing his [deep] focus to Citizen Kane. I think there may be a few test shots extant.
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Wasnt there a jack the ripper film that did a lot of pov with you viewing from Jack's perspective as he did his killings? And in a lot of the hammer films they regularly used pov from the vampire as michael Ripper's buxom wench barmaid first smiled into camera at the vampire... and then screamed!
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I dont think so erik, im thinking of one earlier than 79.
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84 Charlie Mopic was a decent Vietnam War film but i haven't seen it in about 25 years. That was all from the cameraman's point of view. About a squad of soldiers out in the jungle, if i recall (though i think it looked like it was filmed in America).
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I seem to recall quite a bit in American werewolf in london too?
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