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I didnt know i had a podcast.
And charlie never said anything to me! 
Check back with your source, Si Que Watt!! Ha ha
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The fsm world is choc full of grahams!!
Graham you now have to change your moniker to The Other Graham. 
In other news, anything charles fox is welcome.
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Posted: |
Nov 20, 2018 - 5:21 AM
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By: |
Graham Watt
(Member)
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At 1 hour 45 minutes no way could I get through the whole thing, but I tried to navigate around it for things of interest to me. Must admit, I didn't catch the details of Varese's TV Theme Songs compilation that The Other Graham mentioned, but I'm glad I heard Charles Fox talking a little about BARBARELLA, and his stories about Bob Crewe, and visiting Jane Fonda and Roger Vadim in Paris. That BARBARELLA is one of the greatest soundtracks of all time.
This is about Charles Fox, so it ain't as off-topic as it might seem - or maybe it is, but since I'm here...
Given that he's largely known for his Bacharach-style melodies and pop sensibilities, anyone know how he got the job of scoring BUG (great Bradford Dillman film about fire-starting cockroaches)? I seem to recall that that one was completely electronic, totally atonal, and about as far from Love American Stlye and Pufnstuf as you can get. I know he's accomplished at scoring "straight" drama, but BUG is as if Robert Wise had asked Burt Bacharach to do THE ANDROMEDA STRAIN. Or Charles Fox for that matter.
https://carsonpodcast.com
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Posted: |
Nov 20, 2018 - 11:18 AM
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By: |
Graham
(Member)
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At 1 hour 45 minutes no way could I get through the whole thing, but I tried to navigate around it for things of interest to me. Must admit, I didn't catch the details of Varese's TV Theme Songs compilation that The Other Graham mentioned, but I'm glad I heard Charles Fox talking a little about BARBARELLA, and his stories about Bob Crewe, and visiting Jane Fonda and Roger Vadim in Paris. That BARBARELLA is one of the greatest soundtracks of all time.
This is about Charles Fox, so it ain't as off-topic as it might seem - or maybe it is, but since I'm here...
Given that he's largely known for his Bacharach-style melodies and pop sensibilities, anyone know how he got the job of scoring BUG (great Bradford Dillman film about fire-starting cockroaches)? I seem to recall that that one was completely electronic, totally atonal, and about as far from Love American Stlye and Pufnstuf as you can get. I know he's accomplished at scoring "straight" drama, but BUG is as if Robert Wise had asked Burt Bacharach to do THE ANDROMEDA STRAIN. Or Charles Fox for that matter.
https://carsonpodcast.com
He only mentioned the Varese release in passing.
Graham
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