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The Omen, and The Other, are just two more scores which spring to mind... Oh, and I think he used it in Night Crossing. The wind machine itself is not electronic, more a sort of cylinder operated by turning a handle. I first saw it in action during Goldsmith's 1987 London concert with the Philharmonia Orchestra, when they played the suite from The Blue Max. Simon
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Could've sworn there was a dedicated thread to Goldsmith's use of the wind machine, and there probably is, but I can't find it. Anyway.... I'm listening to Intrada's release of The Wind and the Lion, and Goldsmith used the wind machine on this score... kinda makes sense, since the word "wind" IS in the title of the movie!
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Apparently the whole reason for including "Inner Workings" on LLL's Star Trek 50th Anniversary Collection was to bring back the wind machine that wasn't heard in the 3-disc edition of TMP.
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A critical miscalculation fixed, though an expensive fix seeing you have to buy the 50th set just to get the one track. Thankfully the set also included ST:TAS music which made it worth the extra dough. You also get a huge upgrade in sound quality on the TOS library tracks from the complete box that are repeated in the 50th set, and of course TWOK Epilogue without Nimoy's narration.
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