Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   May 31, 2004 - 1:57 PM   
 By:   Thor   (Member)

I relistened to this soundtrack yesterday, and most of it is really good music. Heck, that's no surprise as I pretty much like all of Beltrami's stuff and even buy it unheard.

Beltrami excels at what I have called "delicious darkness", i.e. a sound that combines the typical horror elements with tingling bells and electronic sounds (other composers in this style include Chris Young, Goldenthal, Licht, Ottman and even some Elfman). Also, it means that one is unafraid to settle into a groove, not so much dictated by onscreen action.

JOYRIDE is yet another example of this. Some rock things with el guitar, some funky rhythms, some ambient harmonies. There ARE a couple of "stingers" (such as the very last cymbal crash on the last track), but they are thankfully in minority.


 
 
 Posted:   May 31, 2004 - 5:54 PM   
 By:   Melvin Stephens   (Member)

LEELEE ......!!!!!!

 
 
 Posted:   May 31, 2004 - 6:40 PM   
 By:   joan hue   (Member)

I can't just sit down and listen to scary music or horror scores, but I did notice Beltrami's score in Joyride. Truly well-composed scary music. I jumped several times more due to the music than the visuals.

 
 
 Posted:   Jun 1, 2004 - 2:46 AM   
 By:   DavidOC   (Member)

A favourite of mine also amongst Beltrami's work - I guess a lot of people can't stand this type of scary horror/thriller music, but I think Beltrami's style is very unique in that it is full of suprisingly complex, rhythmic action - I find it consistantly interesting and amazingly inventive considering how many times he's found himself mired in this same genre - his albums are very listenable from start to finish, they never seem to wear out their welcome.

The Faculty is another outstanding score which utilises many of the same approaches as Joyride and is also great listening - sad that the CD is less than 30 minutes. The Watcher, a much longer CD, is just as rewarding however.

 
 Posted:   Jun 1, 2004 - 2:54 AM   
 By:   MikeJ   (Member)

The Odinson will tell you that Joyride and The Faculty are just fine at 30 minutes, despite the fact that at least an hour of music was written for each film... Right, Thor?

 
 
 Posted:   Jun 1, 2004 - 5:58 AM   
 By:   Thor   (Member)

Given certain conditions....right.

 
 
 Posted:   Jun 1, 2004 - 12:57 PM   
 By:   MaxRenn   (Member)

Last week I was standing in a CD shop. Before me were several CDs for a reduced price. Hardly scores, though, so I had to choose between JOY RIDE and ABSOLUTE POWER. I picked ABSOLUTE POWER. I don't regret it since it is far from outstanding but not bad. I like this kind of music.
At least I got THE WATCHER! There are some of the funniest named tracks on this CD!
One of my favourites: Hot Tomei-to! I haven't seen the film, but it seems Beltrami had fun scoring it.

 
 Posted:   Jun 1, 2004 - 5:39 PM   
 By:   Kenneth English   (Member)

I LOVE horror film scores. But then I'm kinda weird and creepy myself, so...

Annnnnyway: JOYRIDE really seemed to get on the bad side of a lot of soundtrack reviewers for some reason but I also enjoy it. Beltrami's turned out to be one of my faves ever since I picked up the MIMIC CD years ago.

 
 
 Posted:   Jan 30, 2015 - 10:06 AM   
 By:   Thor   (Member)

Playing this again after several years.

I'll have to echo what I said in the post above, some 11 years ago. I feel pretty much the same now. Beltrami is one of the composers who I can stomach in a thriller/horror mode.

As far as I remember, the film wasn't too shabby either. Pretty effective teenage horror film, back when that genre was in its infancy.

 
 Posted:   Jan 30, 2015 - 11:22 AM   
 By:   Sean Nethery   (Member)

I can't just sit down and listen to scary music or horror scores, but I did notice Beltrami's score in Joyride. Truly well-composed scary music. I jumped several times more due to the music than the visuals.

Interesting seeing an old thread like this and finding how I've changed. Ten years ago I would have listened happily to well-made horror scores like Beltrami's, but now I'm more in the mode Joan expressed. I can admire the music in the film, but mostly no longer want to listen to it apart from the film.

 
 Posted:   Jan 30, 2015 - 1:54 PM   
 By:   DeputyRiley   (Member)

As far as I remember, the film wasn't too shabby either. Pretty effective teenage horror film, back when that genre was in its infancy.

Thor, that (unintentionally) made me laugh! I'd recommend re-wording that last sentence... razz There were tons and tons and tons of teenage horror films (as a genre) well before Joy Ride! Elm Street, Friday the 13th, Halloween, Black Christmas, Texas Chainsaw Massacre...

I love Beltrami's score, too. Back when he was developing and fine-tuning his horror/thriller sound. Hope it gets an expansion someday, some great missing stuff.

 
 Posted:   Jan 30, 2015 - 4:18 PM   
 By:   Sean Nethery   (Member)

Ok, I lied. I found this on Spotify (thank you VARESE) and having a go now.

Don't know the film, don't want to (not my thing any more). Opening very much in his mid-tempo tick/tock/heart/beat mode. Some of it sounds like earlier takes on what he did in Blade II - which is one of my most-played Beltrami's over the years.

 
 
 Posted:   Jan 31, 2015 - 4:42 PM   
 By:   Thor   (Member)

Thor, that (unintentionally) made me laugh! I'd recommend re-wording that last sentence... razz There were tons and tons and tons of teenage horror films (as a genre) well before Joy Ride! Elm Street, Friday the 13th, Halloween, Black Christmas, Texas Chainsaw Massacre...

Of course. But I was thinking of the more 'contemporary' kind (SCREAM, I KNOW WHAT YOU DID LAST SUMMER, FINAL DESTINATION etc.).

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.