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 Posted:   Oct 18, 2005 - 3:42 AM   
 By:   SPQR   (Member)

Just as I had hoped: out with the screechy tinniness, and in with the wide, warm reverb; a marvelous showcase of Goldsmith's attention to nuance and color. The echoplex effects are eye opening in their clarity, and the spaciousness of the sound field is riveting. Comparatively, it's as though I had been listening to this score wearing ear plugs all these years.

Kudos to the team.

 
 Posted:   Oct 18, 2005 - 7:47 AM   
 By:   WesllDeckers   (Member)

To which album are you comparing the FSM release... the Bay Cities one or the later one which was coupled with Wild Rovers?

The latter is clearly very weak in it's sound. VERY, VERY weak.

 
 
 Posted:   Oct 20, 2005 - 11:34 PM   
 By:   SPQR   (Member)

Both, actually.

 
 Posted:   Oct 20, 2005 - 11:40 PM   
 By:   Alexander Zambra   (Member)

Agree fullheartedly!!!
No wonder never cared for the Bay Cities release, you couldn't hear it!!
With this release FSM has done a superb job!!
And must add that the Roy Budd The Carey Treatment" is another masterpiece.
Never cared much for Westworld, yet the sound is so clear that am even enjoying it also.
Excellent set FSM!! A Big THANK YOU!!!

 
 
 Posted:   Oct 21, 2005 - 12:13 AM   
 By:   Greco   (Member)

Agree fullheartedly!!!
I also agree fullheartedly...this is a spectacular double CDs release and I have been listeining to both every chance I have had since the package arrived yesterday. I am a big Karlin fan also, so I actually did like Westworld before, but this is a much superior version to that on the Chapter III release. But of all, it is Coma that is the most engrossing for me...beautiful recording of great music. Thanks Lukas!

 
 
 Posted:   Oct 21, 2005 - 3:29 AM   
 By:   Michael Arlidge   (Member)

Never cared for the Bay Cities release, you couldn't hear it!!

Now you tell me! I just bought the Bay Cities release on eBay. I would, of course, have purchased the new FSM release, but the fact that it is coupled with two scores I don't want makes my purchase justifiable. Given what you say about the copy I bought, I am grateful, for once, for my sensitive hearing.

 
 Posted:   Oct 21, 2005 - 7:34 AM   
 By:   WesllDeckers   (Member)

Hmmm... I thought the sound on the BayCities release was quite fenomenal compared to the Chapter III one... but I'm getting more curious with each minute I haven't ordered the FSM album!!! I can't stand it!! Nurse, get me the FSM!!

 
 
 Posted:   Oct 21, 2005 - 9:04 AM   
 By:   Chris Malone   (Member)

The Bay Cities is very dynamic and clean but could benefit from a notch at 60 Hz to remove some hum. The Chapter III release is brighter but has been peak limited with a square wave buzz-cut that introduces distortion during loud passages. Some use of noise reduction is evident too. The Chapter III also appears to be a different transfer from the LP master as there is a very minor increase in pitch over the Bay Cities. I don't have the FSM... yet.

 
 Posted:   Oct 21, 2005 - 11:06 AM   
 By:   Moonie   (Member)

I have all three now , the Bay Cities, the Chapter Three and now the FSM.
What can I say I'm a collector too.
Thanks for the cleaner fuller release of this great score FSM/SAE.
Keep up the good no GREAT work.
sd smile

 
 
 Posted:   Oct 21, 2005 - 11:30 AM   
 By:   TomD   (Member)

I would not call the sound on the Bay Cities release bad, but the new FSM release sounds better -- it makes the Bay Cities release sound thin and tinny.

 
 
 Posted:   Nov 7, 2005 - 6:04 PM   
 By:   Spymaster   (Member)

Finally got this recording and I'm 99% delighted with it, especially with the new material.

My 1% disappointment comes from the fact that my favourite musical moment is still not presented as heard in the film. It comes 1:45 into the cue "Study In Anatomy" when Bujold turns the light on to reveal the hanging bodies.

On the album the moment is represented by two ascenting string stingers and then a long high-pitched shreak. In the movie each of the stringers are followed by a dizzying electronic groan which adds just that extra bit of "weird". In fact the whole area of this cue in the movie just sounds... different.

According to the notes this album was put together using the same masters that were mixed for the movie. So why the difference?

Apart from that - a very, very nice presentation. Thank you!

JR

 
 
 Posted:   Nov 7, 2005 - 7:18 PM   
 By:   zippy   (Member)

I only heard the Coma LP so its brand new to me. I agree with everybody it is great.

One little question about the tracking though. Why weren't the bonus tracks put at the end of disk 2? I was under the impression that all FSM releases did that.

 
 
 Posted:   Nov 7, 2005 - 7:20 PM   
 By:   zippy   (Member)

I only heard the Coma LP so its brand new to me. I agree with everybody it is great.

One little question about the tracking though. Why weren''t the bonus tracks put at the end of disk 2? I was under the impression that all FSM releases did that.

 
 Posted:   Nov 7, 2005 - 8:31 PM   
 By:   Stefan Miklos   (Member)

http://www.filmscoremonthly.com/board/posts.asp?threadID=30646&forumID=1


Posted:   Nov. 04, 2005 - 2:48:53 AM   /   IP: 85.169.63.66   
By:   Stefan Miklos  (Member)


COMA has some similarities with LOGAN'S RUN because of its tense dramatical leaning: see the start of track #21 "A Difficut Position" or the dry synth line on track #13 and 16 "Cape Cod Weekend" and "Toys in the Attic". One of the most powerful track is "Study in Anatomy" (#18).
On the whole, COMA is a must have for people like myself who enjoy such 1970's hard edge works as "The Reincarnation of Peter Proud", "Logan's Run" and "The Cassandra Crossing".

 
 Posted:   Nov 7, 2005 - 8:33 PM   
 By:   The Mutant   (Member)

Haven't stopped listening to it since it arrived.

Thanks FSM.

 
 Posted:   Nov 7, 2005 - 8:44 PM   
 By:   Neil S. Bulk   (Member)

the spaciousness of the sound field is riveting.
From the Coma liner notes...

"...all other cues are newly mixed from three-track 1/2" stereo tapes made from the 16-track masters (which were long ago discarded). This has allowed for the inclusion of all previously unreleased music; however, as with The Carey Treatment, these three-track masters were intended for dubbing a monaural movie, not mixing a stereo album. The 1/2" tapes typically group the entire string section into one channel, so the wide left-to-right panning of the high and low strings on the original LP (MGM Records MG-1-5403) and CD reissues (Bay Cities BCD 3027 and Chapter III CHA 0136) has been replicated here using electronic means. Because the album selections were so heavily edited, we have chosen not to cut back and forth between the mixes. We recommend that listeners keep their copies of the existing Coma album for its own aesthetic value, and enjoy this CD for its alternate presentation of the complete score."

Neil

 
 
 Posted:   Nov 7, 2005 - 9:03 PM   
 By:   MarkB   (Member)

One little question about the tracking though. Why weren''t the bonus tracks put at the end of disk 2? I was under the impression that all FSM releases did that.

This is my only complaint regarding this release (and it's a minor one). I would much rather have the bonus tracks at the end of the disc. I like to start off with the meat-and-potatoes, you know?

Mark

 
 
 Posted:   Nov 7, 2005 - 9:07 PM   
 By:   Roger Feigelson   (Member)

Haven't stopped listening to it since it arrived.

Thanks FSM.


Me neither. What an incredible score.

 
 Posted:   Nov 7, 2005 - 9:25 PM   
 By:   Lukas Kendall   (Member)



This is my only complaint regarding this release (and it's a minor one). I would much rather have the bonus tracks at the end of the disc. I like to start off with the meat-and-potatoes, you know?

Mark


This is because Coma has the source music heard up front in the movie itself.
lk

 
 
 Posted:   Nov 7, 2005 - 9:52 PM   
 By:   MarkB   (Member)

This is because Coma has the source music heard up front in the movie itself.
lk


Logical. Still would prefer it the other way, though. smile

Mark

 
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