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Find an idea for 2001 diehard fans:
SAE should make a 2001 CD package that includes the three versions of the soundtrack:
1. The Kubrick selection
2. Goldsmith conducting North
3. The rejected score by North
PS: I ordered #1 and #3 at once.
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Find an idea for 2001 diehard fans:
SAE should make a 2001 CD package that includes the three versions of the soundtrack:
1. The Kubrick selection
2. Goldsmith conducting North
3. The rejected score by North.
Die-hard fans of 2001 (and I am one) already would have purchased (in my case, multiple copies) of the OST and the Varese Goldsmith recordings (and I am ordering the Intrada). No need to appeal to the converted.
Now maybe if SAE included a miniature ape and black monolith with each set...
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I don't think it synchs up at all - something is very off about it - it seems that the first big huge stab should come on the title 2001, not on Stanley Kubrick. I remember using the Goldsmith recording and doing the same and it sunk up much better somehow.
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The section around 1:14 to 1:19 is not in any of the re-recordings (Goldsmith, Kunzel or Mauceri). That may have something to do with the sync. Plus, from all the new reports coming out, this was never intended to be the main title, which would explain why it doesn't sync.
Neil
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The section around 1:14 to 1:19 is not in any of the re-recordings (Goldsmith, Kunzel or Mauceri). That may have something to do with the sync. Plus, from all the new reports coming out, this was never intended to be the main title, which would explain why it doesn't sync.
Neil
Having now spoken to Mr. Redman, there was no intended Alex North main title - that could explain why it doesn't synch. What the fellow who's trying to synch it up is using is the cue called Bones (3M1), which was not, as stated, ever intended to be used as a main title.
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...Bones (3M1), which was not, as stated, ever intended to be used as a main title.
That begs the question: What music WAS intended for the main title? Also sprach Zarathustra?
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Jon Burlingame's extensive booklet essay gathers more info on this music and its intended uses more comprehensively and cogently than anything else thus far written on the subject. It is almost worth the price of the CD in and of itself, for anyone truly interested in this film and its history.
I'm still waiting for my copy to arrive in the mail. I can't wait to read what Burlingame has to say.
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