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 Posted:   Jun 27, 2001 - 11:00 PM   
 By:   Krakower Group   (Member)

For Immediate Release

FAMED HOLLYWOOD COMPOSER HANS ZIMMER RELEASES
THE WINGS OF A FILM — THE MUSIC OF HANS ZIMMER
THE BEST-LOVED MOVIE MUSIC PERFORMED LIVE IN CONCERT
TO BE RELEASED JUNE 19TH ON DECCA RECORDS

INCLUDES SELECTIONS FROM GLADIATOR; THE LION KING; DRIVING MISS DAISY; THELMA & LOUISE; THE THIN RED LINE; MISSION: IMPOSSIBLE 2; RAIN MAN;
NINE MONTHS and TRUE ROMANCE

(New York, NY, June 18, 2001) — Seven-time Oscar nominee Hans Zimmer, with over 70-plus scores to his credit, has long been recognized as one of Hollywood’s most innovative musical talents. He has composed some of the screen’s most memorable and enduring film music, including The Lion King, which earned an Academy Award for Best Original Score along with a Golden Globe, an American Music Award, a Tony Award and two Grammy Awards in 1994. Last year, Zimmer penned the powerful score to Gladiator, the top selling soundtrack of 2000, which went on to win the Academy Award for Best Picture. This year, he has written the music to the box office smash Hannibal and the blockbuster Pearl Harbor.

The Wings of a Film features some of Hollywood’s best-loved movie music performed live in concert with a symphony orchestra for the very first time. The music is brought to life with the help of some of Zimmer’s favorite collaborators — including singers/composers Lisa Gerrard (Gladiator) and Lebo M (The Lion King), and guitarists Pete Haycock (Thelma & Louise) and Heitor Pereira (Gladiator) — along with the acclaimed Flemish Radio Orchestra. This special concert event was recorded last October at the Flanders International Film Festival in Belgium and is now being released worldwide on Decca.
Academy Award nominated director Ridley Scott, who has worked with Zimmer on Gladiator and Hannibal, has described Zimmer’s music as providing “the wings of a film.” His music does not merely accompany the picture but acts as its partner, offering a path to the innermost feelings of the characters. The emotional and heartfelt music not only serves to propel the action on the screen but also is able to stand on its own.

A pioneer in the use of digital synthesizers, electronic keyboards and the latest computer technology, Zimmer is considered the father of integrating the digital music world with that of traditional orchestral arrangements. Born in Germany and educated in England, his success came first in the world of pop music as a member of the Buggles. The group’s 1980 single “Video Killed the Radio Star” became a worldwide hit and was the first music video to be aired on MTV. In 1988, Zimmer composed the music to Rain Man, which went on to win the Academy Award for Best Picture and brought him his first Oscar nomination for Best Original Score. The next year, he composed the score to another Best Picture recipient, Driving Miss Daisy, which earned him his second Oscar nomination in as many years.

On the heels of this new release and currently riding high on the epic scale Pearl Harbor score, Zimmer now segues into the DreamWorks animation film Spirit: Stallion Of The Cimarron, scheduled to be released next year. Zimmer will also score the Ridley Scott directed film Black Hawk Down, a Jerry Bruckheimer film, and Riding In Cars With Boys, starring Drew Barrymore and directed by Penny Marshall, to be released October 19th.

###
Contact: Beth Krakower
CineMedia Promotions
Cinemediapromo@yahoo.com

 
 Posted:   Oct 21, 2017 - 3:02 PM   
 By:   davefg   (Member)

I'm interested in what people think about this release as a listening experience on CD and as a concert experience. This was Zimmer's first concert before launching his tour and for me I think his scores been performed by a full orchestra is a far better way to appreciate his music, than the approach he took on his concert tour which had a more synthetic and processed sound. The soloists and the orchestra on this CD also give a far more varied musical sound, compared to what was heard during his concert tour.

 
 
 Posted:   Oct 21, 2017 - 3:23 PM   
 By:   GoblinScore   (Member)

How scary, I spent the day playing this again!
I think I prefer Zimmer's action writing however, since I still wasn't wild about most of this concert, at third listen.
Sections are ok, but not being a fan of his African period, which takes up a lot of time here , I was more restless then not. Performances are fine, I just don't think he's the great thematic tune writer the all-star liner notes lead you to believe.
Made me want to seek the more processed concert recordings out!
It's a good experiment, but I don't think anyone has cooked up a well balanced Zim concert yet - then again neither has Morricone who keeps using the same set too often!
-Sean

 
 Posted:   Oct 21, 2017 - 3:40 PM   
 By:   davefg   (Member)

How scary, I spent the day playing this again!
I think I prefer Zimmer's action writing however, since I still wasn't wild about most of this concert, at third listen.
Sections are ok, but not being a fan of his African period, which takes up a lot of time here , I was more restless then not. Performances are fine, I just don't think he's the great thematic tune writer the all-star liner notes lead you to believe.
Made me want to seek the more processed concert recordings out!
It's a good experiment, but I don't think anyone has cooked up a well balanced Zim concert yet - then again neither has Morricone who keeps using the same set too often!
-Sean


Great minds think alike! I was also listening to this day and hence the post. The one thing that got me about Zimmer's concert was the treatment of Interstellar. I found the use of the electric guitar to be inappropriate for that performance. I wonder if a hybrid performance between his concert in Ghent and his world tour would work? Here's a video I came across about the tour in Ghent: https://www.youtube.com/watch?v=dl-XJfVhBf4

 
 
 Posted:   Oct 22, 2017 - 1:06 AM   
 By:   Brianmcb   (Member)

How scary, I spent the day playing this again!
I think I prefer Zimmer's action writing however, since I still wasn't wild about most of this concert, at third listen.
Sections are ok, but not being a fan of his African period, which takes up a lot of time here , I was more restless then not. Performances are fine, I just don't think he's the great thematic tune writer the all-star liner notes lead you to believe.
Made me want to seek the more processed concert recordings out!
It's a good experiment, but I don't think anyone has cooked up a well balanced Zim concert yet - then again neither has Morricone who keeps using the same set too often!
-Sean


Yes I think the inclusion of more action music on the CD would have helped. The CD excludes Roll Tide from Crimson Tide: https://www.youtube.com/watch?v=n6-gtRjjVng anf oddly Powell's theme to Chicken Run which was performed at the concert.

 
 
 Posted:   Oct 22, 2017 - 6:52 PM   
 By:   Smaug   (Member)

Love full orchestras...it makes even mediocre music sound Ok. I saw the tour and it was a totally different beast all together. I love this CD. Mostly it makes me think of everything that he has done since then.

 
 
 Posted:   Oct 28, 2017 - 3:58 AM   
 By:   Brianmcb   (Member)

Love full orchestras...it makes even mediocre music sound Ok. I saw the tour and it was a totally different beast all together. I love this CD. Mostly it makes me think of everything that he has done since then.

I feel that way too, I think the CD shows what Zimmer is or was capable of to what he is doing now which other than then Interstellar and the Dark Knight Trilogy I have been pretty impressed with. Would have liked Zimmer to have made more of a use of Lisa Gerrard during that concert in Ghent.

 
 Posted:   Jul 6, 2019 - 2:08 PM   
 By:   davefg   (Member)

Listened to this again, sort of a volume one to The World of Hans Zimmer.

 
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