It seems order numbers between 8941 and 9025 will contain autographed copy :
"NOTE: FOR ALL "BAD BOYS" ORDER NUMBERS 8941 - 9025: An unforseen delay in receiving Mark Mancina's autographed booklets has caused us to hold shipment of BAD BOYS order numbers 8941-9025 until next week when we have received the booklets. We apologize profusely for this delay and will ship orders 8941-9025 as soon as the booklets arrive. Any BAD BOYS orders with an order number over 9025 will not be affected and is now shipping."
It seems order numbers between 8941 and 9025 will contain autographed copy :
"NOTE: FOR ALL "BAD BOYS" ORDER NUMBERS 8941 - 9025: An unforseen delay in receiving Mark Mancina's autographed booklets has caused us to hold shipment of BAD BOYS order numbers 8941-9025 until next week when we have received the booklets. We apologize profusely for this delay and will ship orders 8941-9025 as soon as the booklets arrive. Any BAD BOYS orders with an order number over 9025 will not be affected and is now shipping."
Now all we need is SPEED 2 (which is a Fox film)...
Yeah, that and MONEY TRAIN...
Since the other Mark Mancina thread is locked I can take it here instead. If I am not misinformed Hans Zimmer was supposed to score the first Speed. He was busy scoring True Romance when he recommended Mark Mancina for DeBont and company.
Even if I am glad that did not happen, I still can wonder how Speed would have sounded if Zimmer had done it.
I'm a little bummed that LaLaLand - once again - decided to go the C&C route.
What's wrong with a score being complete and chronological? Personally I would rather have scores complete and chronological. I absolutely detest out of film order OST's...
What's wrong with a score being complete and chronological? Personally I would rather have scores complete and chronological. I absolutely detest out of film order OST's...
He, he...you're new here, but I'm sure the veteran posters who know my opinions well were happy you asked me that question. BUT....I'm not going to bother them (or you) with a recap of my oft-mentioned viewpoint on this here. Rather, I'll forward you to this particular super-thread that explains why I feel the way I do (that is also the only place I would like to continue the discussion at this point):
I miss the days of great themes like this. A pity Mancina is no longer working on films like these.
Absolutely agree. His themes and orchestrations are spot on IMO. Not just for this but for pretty much all of his action movies (Speed, Bad Boys, Twister, Speed 2, Con Air...) I'm very bummed scores like this don't really come along very often anymore.
