|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Call me crazy but I love this score. The Dark Psyche-period carried into the electronic era.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Ought to be do-able, maybe as a double header with "My Sister's Keeper" (as I seem to remember Bells isn't a very long score). Cheers
|
|
|
|
|
|
|
|
|
|
|
Do the tapes exist?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Oct 11, 2014 - 6:53 AM
|
|
|
By: |
JB Fan
(Member)
|
Wonderfully dark, moody and atmospheric score by John Barry. It actually wouldn't be out of place in a genuine horror film. The film has a rather curious music credit though; Music Composed and Conducted By John Barry, then on the next card; Music Orchestrated and Performed By Jonathan Elias and John Peterson ? Needless to say I would be all over this if it was to become available. Is this a score that's more likely to be paired with something else than appear on a single CD? Does anyone know how much of Barry's music wasn't used? There are several questions about this score. 1) As it was stated above, film credits are rather strange - first one said "composed & conducted by J.B.", second - "orchestrated & performed by Jonathan Elias and John Peterson". So does it means, that Barry probably composed 2 versions for one film? Or he wasn't involved in final phase (very unlikable situation), so Jonathan Elias and John Peterson orchestrated & performed the score? Or maybe it was contract conditions that he must be credited as composer & conductor? 2) If I remember, the film shot was mostly by Canadian studio. So maybe here we have another sad situation as it was with Funeral Home - local music association will ask huge payment for releasing this score, so labels will think 2-3 times before they will make a deal? But from another point of view, only 2 musicians were used according to credits, so maybe we can have a hope?
|
|
|
|
|
|
|
|
|
|
|