Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   Dec 21, 2008 - 7:51 PM   
 By:   samanthasmom2001   (Member)

I recently have seen the new version on DVD of All That Jazz by Bob Fosse. IT has been cleaned up, ie the colour, and process and sound. I have always that that All That Jazz was a very good film, with STILL one of the best editings in a long time, by Oscar winner Alan Heim. Heim cutting is NOT like those jarring effects movies out now.

The one special thing that I truly love is Alan Burns Oscar winning Song Scores. It is a pure sing along. Most memorable songs and music. Truly a classic. The Cinematography by Federico Fellini's photographer, Giuseppe Rotunno is beautiful.

I have always had this score to All That Jazz, and still listen to it today. While Bob Fosse did slip with this film at times, self over indulence. A stellar film. The ending of the film, the bix exit was always blurry and as the camera crawled toward Jessica Lange(who looks stunning)it was always shakey and slighty out of focus, WELL they cleaned it up, it is a smooth track.

All That Jazz very good film.

 
 
 Posted:   Dec 21, 2008 - 8:00 PM   
 By:   haineshisway   (Member)

a) it's Ralph Burns

b) the new transfer is not as good as the first DVD - the color is quite off.

 
 Posted:   Dec 21, 2008 - 8:06 PM   
 By:   David Sones (Allardyce)   (Member)

Fosse's finest IMO, a masterpiece of editing and camerawork. Love everything about the film, including its unique jazzy-operatic ode to courting self destruction and inevitable death. A stunning performance from Mr. Scheider. Not only have I had the poster up in my den for years, but as a result of this film's resonating imagery and moods, it's difficult for me to look into the mirror without thinking of the timeless line..."It's showtime, folks."





 
 
 Posted:   Dec 21, 2008 - 8:31 PM   
 By:   samanthasmom2001   (Member)

Sorry bout that, it is Ralph. in my haste. NO the colour looks better in this version. When I saw the big exit, i was so glad they had cleaned it up. NO camera shake or blur. Excellent job.

I also listen to Alan Heim's commentary. Lots of good things he said about Fosse. And talks about the 6 months wait, since Roy Scheider wasn't available. AND the major miscue of hiring Richard Dryfuss.

 
 Posted:   Dec 21, 2008 - 8:34 PM   
 By:   LeHah   (Member)

Incredible movie. Best thing Roy Scheider ever did.

 
 Posted:   Dec 21, 2008 - 8:35 PM   
 By:   Holly   (Member)

Fabulous film! It has been ages since I have viewed it, but its one that I have never forgotten. Thank you for this post! I will need to revisit this fine film soon d^_^b

*I also need to checkout the score. I have never heard it embarrassment

 
 
 Posted:   Dec 21, 2008 - 8:55 PM   
 By:   Sean   (Member)

Pardon the French, please --

A fucking masterpiece! Nobody -- I repeat, NOBODY -- loves this film more than I do. Fosse's most thoroughly inspired hour. I could itemize each superlative achievement until you chucked me out the door. And yes -- Ralph Burns' arrangements and original underscore are magnificent. I vividly remember seeing this at the Festival Cinemas in Walnut Creek, CA one rainy afternoon in January of 1980 on their largest screen. Just epic!

I miss Leland Palmer. And Roy Scheider. And Bob Fosse.

Peace, people.
cool

 
 
 Posted:   Dec 21, 2008 - 8:57 PM   
 By:   Pete Apruzzese   (Member)

If the screencaps on DVDBeaver's comparison review are any indication, there appears to be something seriously wrong with the colors and brightness on the 2007 release.

 
 
 Posted:   Dec 21, 2008 - 9:15 PM   
 By:   haineshisway   (Member)

If the screencaps on DVDBeaver's comparison review are any indication, there appears to be something seriously wrong with the colors and brightness on the 2007 release.

Exactly. But no one knows anything about color anymore - so they equate "no camera shake or blur" and "cleanup" with good color - one, of course, has nothing to do with the other. I kept the older DVD because it more closely resembles the film that Mr. Fosse directed.

I did a TV series with Miss Palmer - wonderful gal.

 
 
 Posted:   Dec 21, 2008 - 9:22 PM   
 By:   Pete Apruzzese   (Member)

I have the original DVD and remember thinking the transfer captured fairly accurately the grain and soft diffusion common for productions of that time (I don't have a strong memory of the theatrical presentation as I only saw it once on a fairly small screen). Too bad we can't compare the DVD to an original release print any longer as they're all faded by now.

 
 
 Posted:   Dec 22, 2008 - 4:30 AM   
 By:   Thor   (Member)

Never seen it, but probably should due to all the praise it gets here.

Does the title have anything to do with the song named "All That Jazz" from CHICAGO?

 
 
 Posted:   Dec 22, 2008 - 5:17 AM   
 By:   Pete Apruzzese   (Member)



Does the title have anything to do with the song named "All That Jazz" from CHICAGO?


Yes, Bob Fosse directed the Broadway stage version of Chicago.

 
 
 Posted:   Apr 29, 2012 - 3:37 AM   
 By:   Bob DiMucci   (Member)

I just saw ALL THAT JAZZ again for the first time since I saw it when was released in 1979. This is one of the great self-portraits of an artist, although purely as a Fosse musical it has to take second place to his CABARET. But the Air-Otica number ("Take Off with Us") is classic Fosse. The film is a flawed masterpiece, but I suppose so was Fosse himself.



 
 
 Posted:   Apr 29, 2012 - 3:45 AM   
 By:   JSWalsh   (Member)

Have never understood the charge of self-indulgence against this movie--the rare bio-pic that's an AUTO-biopic. Saying it's self-indulgent is like saying a photo is visual--yeah, AND??

I can't stand musicals, and while I like Roy Scheider I never thought he had the stuff for this kind of role. But aside from the great photography (the whole movie has this rotting glamor, like a wall of decaying photos of glamorous people) and art direction and the compelling story, the thing is perfectly cast and the songs do what a great instrumental score should, add to the obvious elements of the movie.

It has one of the top five best final shots of movie history, IMHO.

 
 
 Posted:   Apr 29, 2012 - 4:07 AM   
 By:   Bob DiMucci   (Member)

An essay on Fosse's life had this great paragraph that succinctly sums up the Fosse style of choreography:

"As an artist, Fosse was known for his thoroughly modern style, a signature one could never mistake for anyone else's. Snapping fingers are omnipresent, so are rakishly tilted bowler hats. Both hip and shoulder rolls appear frequently, as do backward exits. Swiveling hips and strutting predominate, as do white-gloved, single-handed gestures. Fosse himself often called the en masse amalgamation of these moves 'the amoeba,' and that word as much as any describes his particular style, one at once fluid and angular."

 
 
 Posted:   Apr 29, 2012 - 4:31 AM   
 By:   Joe Caps   (Member)


Haines is quite right. the dvd remaster has the color gone all brown and tohell. the first dvd is far batter and looks more like the film


HAINES - I know nothing about Leland Palmer.

What can you tell me. In JAZZ she is obviously the Gwen Verdon character and she even sounds quite a bit like her.

What can you tell me about her ?

 
 Posted:   Apr 29, 2012 - 4:44 PM   
 By:   bdm   (Member)

Love the film - one of my all time faves; in 1985 I auditioned for LAMDA in New York, and the auditions were held in a major rehearsal space, so I was sitting with all the "vet" NY actors/dancers and guess who walked by - Bob Fosse himself.

I asked, "Is that Bob Fosse?"

The NY actors (excited and awed), "Yes!)

Me: I love ALL THAT JAZZ...

NY Actors: Great film!

Me: I'm going to say, "Hi."

NY Actors: Whaaaaaah - doooon...

I walked over to Mr. Fosse (or intercepted him on his way to his rehearsal hall)...

Me: Mr Fosse?

Fosse: (gruffly - could have been one too many cigarettes, or he was pissed off) What?!?

Me: I'm a young actor auditioning for LAMDA,and I just wanted to tell you that ALL THAT JAZZ is one of my favorite films, and to thank you for making it.

Fosse: (big smile and shaking my hand) Thank you! What pieces are you doing?

Me: Richard and Mozart.

Fosse: Good mix; break a leg!

Me: Thank you.

Fosse nods and enters rehearsal room.

I walk back to the waiting area; NY actors look in awe and frustration, one mutters, "You're not supposed to do that." Another, "Worked okay for him!" Another, "I love ALL THAT JAZZ - I could have done that; damn!"

I got to meet Bob Fosse, be wished luck by him, and it worked, as I got insmile

Oh, and I love the album too!

 
 Posted:   Apr 29, 2012 - 5:04 PM   
 By:   Solium   (Member)

Loved this movie when it came out. Perhaps one of the most arty mainstream films ever made. How many musicals graphically show an actual open heart surgery? Not a film to watch if your feeling down.
Roy's ironic sense of humor really makes the character enjoyable to watch.

 
 Posted:   Apr 29, 2012 - 6:18 PM   
 By:   Grecchus   (Member)

The sense of Scheider's character having to squeeze everything in during his remaining available time is what sets this film apart. His directorial perfection in getting that most difficult of commodities right - comedy - interlinked with the rest of the story heightens the frenzied countdown to the snuff-bucket. The choreography is exactly what you would expect although the main emphasis on self-justification in the face of certain oblivion leaves me with a distinct feeling of contradiction hanging in the air. All that jazz, indeed!

 
 Posted:   Apr 29, 2012 - 6:43 PM   
 By:   That Neil Guy   (Member)

I have nothing much more to add than I, too, love this film.

And I really love this Polish poster.

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.