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Posted: |
Sep 20, 2009 - 4:50 PM
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By: |
Hurdy Gurdy
(Member)
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Hey Tall Guy, I know I'm a little late, but I just watched (endured?) this film tonight.
It's as bad as you imagine, but Kent's score is typically lovely.
It's almost quite a trademark score for him.
Dreamy, wistful John Barry-esque theme = check
Percussion/Drum motif = check
Brief Arabic inspired piece = check
Full orchestral approach, no bullshit = check
The film...remember all those scenes between Marty McFly and his Mum fancying him, which could have been wrong, but worked perfectly.
Now, imagine it all done wrong (and creepy-like). Zac gets called a weird, creepy man-child at one point, and that sure sums up the film, and his performance. It also made me appreciate how good Michael J Fox was.
But hey, there's a nice score...and Silva are gonna release it...so it ain't all bad 
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When's the release date for this score?
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I pre-ordered this and Kate and Leopold and Ghosts of Girlfriends Past. I'm listening to 17 Again, good score, BAD movie. Rolfe is one hell of a great composer I'd say!!
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I pre-ordered this and Kate and Leopold and Ghosts of Girlfriends Past. I'm listening to 17 Again, good score, BAD movie. Rolfe is one hell of a great composer I'd say!!
Terrible movie indeed. Matthew Perry as an older Zac Effron? What? That didn't even make any sense. I'll never forgive one of my friends for making me sit through it. BUT, I did discover a very nice score, so at least that came out of it.
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I agree Perry and Efron, first off, they don't even remotely look a like and they were supposed to be an older/younger version of each other? I mean Perry's head is a rectangle and Zac's is more round, yah it was pretty bad, the movie was for sure.
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