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Yes, Sinatra's tendency to fall into a few "ring-a-ding-ding" moments and the ghastly Sands performance are regrettable, but the film has a certain power in spite of those faults. It certainly isn't the kind of material one would have expected Sinatra to pick for his directorial debut. Arguably, it also contains one of Clint Walker's most effective screen performances. It is, indeed, regrettable that Warners blew the Japanese subtitle situation (although it almost lends the film an even "artier" feel in the beginning.)
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Yeah, Bill, NONE BUT THE BRAVE was 1965, and, you're right, Sands DOES sound like Rip Torn in many of his roles, but Torn somehow pulls off the clenched-jaw delivery, while Sands sounds like someone who's had a broken jaw wired together.
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Posted: |
Aug 1, 2009 - 3:20 AM
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By: |
BillCarson
(Member)
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Yeah, Bill, NONE BUT THE BRAVE was 1965, and, you're right, Sands DOES sound like Rip Torn in many of his roles, but Torn somehow pulls off the clenched-jaw delivery, while Sands sounds like someone who's had a broken jaw wired together. That made me laugh, vinylscrubber. yeah, clenched jaw delivery - with a butt of a fat cigar sticking out!!!! (i'll move my Beach Red observations to separate thread) None but the Brave was an interesting film from memory. Been years since I saw it. Was it either the first of its kind - or one of the first - to feature the Japanese soldier's side of things, the fishermen missing home and their wives and children and such like? That must've been unusual back then? I dont have the score yet but recorded the music originally from the film. I liked it. In fact I liked a lot of Williams stuff before he did the more well known blockbusters. The CD seems highly recommended by posters on here.
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I just got this and it is a fine score. BUT- and this is a big BUT- somewhere in the middle of, I want to say, Track 14. Williams goes "GILLIGAN'S ISLAND/JOHN GOLDFARB silly ( that's silllleeey as in gooofeeey) on us. It hurts the "total listening ambience" Did I get that right, Thor?
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