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"Curiously though the infamous "danger motif" as favoured by you know who appears once or twice throughout the score. How bizarre"
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"Really? I haven't noticed that - perhaps because it's not being played on muted horns...? Could you or anyone else point out to me where it can be found?"
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It can be heard in the first cue on the CD around the 1'36 mark.
Also in track 4 (Cunning Gunning) at 0'43 (ish).
Also in track 8 (Treatment At Malvern) around 1'06.
You probably missed it cos it's used in that Horner/Sneakers 'flutey' mode.
Still, what a score this is!
A pleasant reminder of how great and treasured a composer Christopher Young is.
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Posted: |
May 31, 2020 - 12:36 PM
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By: |
Hurdy Gurdy
(Member)
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I played this score again today, as part of my Christopher Young festival blitz, but didn't enjoy it as much as I did 5 years ago.
It's very good, well written and performed.
But the Sneakers riff seemed more distracting to me and the Vaughan Williams and Arvo Part leanings were more apparent than the last time.
Plus, the themes didn't connect with as emotionally as his other stuff I've been blasting through this past week (Flowers In The Attic, Fly II, Bat 21, Haunted Summer).
It's certainly not a bad score by any stretch, but it hasn't grown in stature for me, since I last spun it.
Next up...
The Core.
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