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 Posted:   Nov 3, 2009 - 3:39 PM    Reply to Post
 By:   Gunnar   (Member)

jwfan.net drew my attention to this Q&A:

http://classicalmusic.suite101.com/article.cfm/qa_with_conductor_leonard_slatkin

The bit in question is:
"We’re also doing all of the concertos that John Williams has written, using members of our orchestra for the solo parts. The Horn Concerto, I think, is going to be available online in the next month."

The concerti will be released on Naxos. The online release should have happened, but that doesn't seem to be the case.

 
 Posted:   Nov 3, 2009 - 4:04 PM    Reply to Post
 By:   LeHah   (Member)

...But not John Williams' symphony? I really want to hear that, and I think his concertos are already well-represented on disc.

 
 
 Posted:   Nov 3, 2009 - 4:58 PM    Reply to Post
 By:   TJ   (Member)

...But not John Williams' symphony? I really want to hear that, and I think his concertos are already well-represented on disc.

How many are still in print?

Great news!

 
 
 Posted:   Nov 3, 2009 - 5:34 PM    Reply to Post
 By:   RM Eastman   (Member)

Excellent news for Williams admirers, but I have yet to hear a concert work of his that I like.

 
 Posted:   Nov 3, 2009 - 6:01 PM    Reply to Post
 By:   LeHah   (Member)

How many are still in print?

I honestly can't say - but the Violin Concerto from Varese is fairly easy to find. I picked it up this spring.

And I don't think his other stuff is that hard to find either. It would be like The Beatles going out of print.

 
 
 Posted:   Nov 3, 2009 - 6:19 PM    Reply to Post
 By:   Gary S.   (Member)

This is great news and the DSO is a top drawer group. The first recording mentioned in the article is already a hit. Bring on the Williams.

 
 
 Posted:   Nov 3, 2009 - 7:20 PM    Reply to Post
 By:   Doc Loch   (Member)

I had a chance to interview Slatkin in the 1980s and at the end of the interview asked him to sign my copy of the Williams Violin and Flute concertos, which he conducted. I remember Slatkin looking at it, laughing and saying "So you're the one who bought it."

 
 Posted:   Nov 4, 2009 - 5:30 AM    Reply to Post
 By:   Saxplayer   (Member)

I may buy a CD of them all, it would help me sleep zzzzzzz

 
 
 Posted:   Nov 4, 2009 - 6:15 AM    Reply to Post
 By:   Rozsaphile   (Member)

the Violin Concerto from Varese is fairly easy to find. I picked it up this spring.


Gil Shaham's later recording is much superior (on DGG?). And I think Williams had revised the piece by that time.

 
 
 Posted:   Nov 4, 2009 - 6:27 AM    Reply to Post
 By:   TerraEpon   (Member)

I'm pretty sure the both the Shaham disc and the Yo-Yo-Ma disc on Sony are easy enough to buy. The tuba concerto is on BIS at least and will always be in print.


And if it's a Naxos digital release, we may yet get a disc of them. They seem to be experiemnting with putting out stuff digitally first lately.

 
 
 Posted:   Nov 4, 2009 - 6:44 AM    Reply to Post
 By:   Thor   (Member)

Wow, that's amazing news, even though I already have most of them on other discs. These have already had commercial releases:

1969 - Concerto for Flute and Orchestra
1976 - Concerto for Violin and Orchestra (x2)
1985 - Concerto for Tuba and Orchestra (x2)
1991 - Concerto for Clarinet and Orchestra (although the mp3.com release sounds like crap!)
1993 - Concerto for Bassoon and Orchestra (aka The Five Sacred Trees)
1994 - Concerto for Cello and Orchestra
1996 - Concerto for Trumpet and Orchestra
2007 - Duo Concertante for Violin and Viola (does this count as a concerto?)

These have NOT yet had a commercial release:

2003 - Concerto for Horn and Orchestra
2009 - Concerto for Viola and Orchestra
2009 - Concerto for Harp and Orchestra (aka On Willows and Birches)

Of course, there's a whole bunch of other concert works too, but I'm not sure they qualify as 'concertos', strictly speaking.

 
 Posted:   Nov 4, 2009 - 7:53 AM    Reply to Post
 By:   CW   (Member)

Gil Shaham's later recording is much superior (on DGG?).

I own both recordings and wholeheartedly agree.

And I think Williams had revised the piece by that time.

He did indeed, and I agree with Williams that the (slightly) revised edition strengthens the work. I wonder if Williams will give the remaining concerti a quick once-over, as there would never be a better time to revisit any small nagging issues he left unaddressed in the past.

It's pretty exciting that all of Wiliams' concerti will be recorded, especially during his lifetime. I'm certain he will be involved (at least as an album producer) and Slatkin is, obviously, a very fine musician. And what a clever way to feature the principle players of an orchestra!

I also feel like I should point out what an honor it is for a living composer to have such a large series of recordings made of their works. Typically, "complete" sets of "whatever" are reserved for long-deceased composers. Additionally, it's rare for a living composer to have the same work recorded multiple times as the concerti will now be... this usually only happens with the top tier composers, which Williams certainly is in the film world, but not so much in the world of concert music.

I wonder how many CDs this set will be. Hopefully, since Naxos is releasing (a great record label for contemporary music, but a horrible record label for CD and booklet presentation) the entire set will be affordable! This will be a first day purchase for me.

CW

 
 
 Posted:   Nov 4, 2009 - 8:08 AM    Reply to Post
 By:   Thor   (Member)

...and while they're at it, why not release the rest of Williams' unreleased concert works too:

2003 - Soundings
1999 - For Seiji!
1998 - Seven for Luck
1997 - Elegy for Cello and Piano
1995 - Variations on Happy Birthday
1992 - Fanfare for Prince Philip
1988 - Fanfare for Michael Dukakis
1988 - Fanfare for Ten-Year-Olds
1986 - Celebration Fanfare
1982 - Esplanade Overture
1980 - Fanfare for a Festive Occasion
1966 - Symphony no. 1
1951? - Piano Sonata (student piece)
1951? - Wind Quintet (student piece)

A couple of these have been released on bootleg, but that doesn't count.

 
 
 Posted:   Nov 4, 2009 - 8:52 AM    Reply to Post
 By:   estgrey   (Member)

So, how might one describe his "classical" music against his "film" music? I recall hearing something "classical" of his on the radio, and being completely befuddled by it. It certainly was not what I might have expected.

 
 Posted:   Nov 4, 2009 - 9:03 AM    Reply to Post
 By:   LeHah   (Member)

Gil Shaham's later recording is much superior (on DGG?).

I own both recordings and wholeheartedly agree.


Interesting. I had no clue there was another recording of this.

 
 
 Posted:   Nov 4, 2009 - 9:17 AM    Reply to Post
 By:   Rozsaphile   (Member)

Excellent news for Williams admirers, but I have yet to hear a concert work of his that I like.

Do you like any of his film music?

 
 
 Posted:   Nov 4, 2009 - 9:17 AM    Reply to Post
 By:   Thor   (Member)

So, how might one describe his "classical" music against his "film" music? I recall hearing something "classical" of his on the radio, and being completely befuddled by it. It certainly was not what I might have expected.

It varies. Some of it is more accesible and closer to his film work, like the fanfares and themes, the tuba concerto, cello concerto, bassoon concerto or "Soundings", while others are very dissonant and hard to grasp, like the flute concerto, the sinfonietta for wind ensemble, the duo concertante or the clarinet concerto, to mention some.

 
 
 Posted:   Nov 4, 2009 - 9:23 AM    Reply to Post
 By:   Spymaster   (Member)

...and while they're at it, why not release the rest of Williams' unreleased concert works too:

2003 - Soundings
1999 - For Seiji!
1998 - Seven for Luck
1997 - Elegy for Cello and Piano
1995 - Variations on Happy Birthday
1992 - Fanfare for Prince Philip
1988 - Fanfare for Michael Dukakis
1988 - Fanfare for Ten-Year-Olds
1986 - Celebration Fanfare
1982 - Esplanade Overture
1980 - Fanfare for a Festive Occasion
1966 - Symphony no. 1
1951? - Piano Sonata (student piece)
1951? - Wind Quintet (student piece)

A couple of these have been released on bootleg, but that doesn't count.


I wouldn't be interested in hearing every note from these. I'd prefer they released maybe 10 minutes from each. That would make a far better listening experience IMHO.

 
 
 Posted:   Nov 4, 2009 - 10:05 AM    Reply to Post
 By:   estgrey   (Member)

Thor: It varies. Some of it is more accesible and closer to his film work, like the fanfares and themes, the tuba concerto, cello concerto, bassoon concerto or "Soundings", while others are very dissonant and hard to grasp, like the flute concerto, the sinfonietta for wind ensemble, the duo concertante or the clarinet concerto, to mention some.

I think it was the flute concerto that I heard, and I must admit that it did not appeal to me at all. At least Naxos is generally a fairly cheap risk, but if I end up buying it, there is a pretty good chance that I won't listen to it more than once.

 
 
 Posted:   Nov 4, 2009 - 12:40 PM    Reply to Post
 By:   TerraEpon   (Member)

He also wrote a harp concerto just this year -- there was a thread here about it a bit ago. Don't remember when they said it'd be performed.

 
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