 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
Posted: |
Nov 12, 2009 - 1:57 PM
|
|
|
|
By: |
SchiffyM
(Member)
|
Besides, orchestral music is often also out-of-synch with the period it's portraying. It's just that we're used to it, because it's convention. And God forbid someone tries anything new! 
I'm with you on this one, Thor. Somehow, a European classical idiom that's a couple of centuries old is what we now associate with any film that takes place before, say, the Roaring '20s. I'm not knocking it – I happen to enjoy that style of music. But it's no more accurate for most films it's married to than any other choice, and frankly, since when must the device of scoring (as opposed to source cues) somehow be in sync with the timeframe of the movie?
That said, I really don't imagine Haslinger's score will be trying anything new. But as you say, I should reserve judgment until I hear it. Maybe I'll be delightfully surprised!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
