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It doesn't say anything like what you have been saying it does. Like, at all. It's a bit surprising that you could look at what is written there and come away with what your narrative seems to be. But by all means, please provide these similar links.
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How you don't figure, it says there in b&w immoral, the snub of a score, FF, The TV mish-mash + Jarre's love for orchestra over electronics, Etc. I've seen similar links, but I'm done here now. "It sounds very much like the type of thing Michael Winner did for THE WICKED LADY, where he used the keyboard player from Genesis. Tony Banks, as well as Christopher Palmer to orchestrate, and Stanley Black to conduct. MJ: Exactly. It is totally immoral. How often do we see film credits with music by so – and – so, when in fact he has written three notes and had help from so many other people to finish a complete score? I think that serious directors like David Lean or Volker Schlondorff would not do this." It has to do with who is getting credit. Nothing to do with what it is being played on. He also doesn't seem to say anything about orchestra being superior to electronics. Just that some scores are one and others the other.
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Posted: |
Aug 21, 2017 - 12:45 PM
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By: |
JamesFitz
(Member)
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How you don't figure, it says there in b&w immoral, the snub of a score, FF, The TV mish-mash + Jarre's love for orchestra over electronics, Etc. I've seen similar links, but I'm done here now. "It sounds very much like the type of thing Michael Winner did for THE WICKED LADY, where he used the keyboard player from Genesis. Tony Banks, as well as Christopher Palmer to orchestrate, and Stanley Black to conduct. MJ: Exactly. It is totally immoral. How often do we see film credits with music by so – and – so, when in fact he has written three notes and had help from so many other people to finish a complete score? I think that serious directors like David Lean or Volker Schlondorff would not do this." It has to do with who is getting credit. Nothing to do with what it is being played on. He also doesn't seem to say anything about orchestra being superior to electronics. Just that some scores are one and others the other. Exactly...as I know what Maurice said to me on that occasion and many times before! Sorry, but Leagolfer was distorting the truth and inventing things that Maurice never said. I did wonder when at the start of this strange debate that Leogolfer thought that Mad Max Beyond Thunderdome was a small orchestra that Maurice didn't want when infact over 100 musicians were involved in each session. ... and yes I will passionately defend the reputation of any composer friend I have worked with.
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