 |
 |
 |
|
|
 |
 |
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
Hmm..I wonder if the same applies to "Slaughter On Tenth Avenue", which was released by Decca, with Richard Rodgers' ballet adapted masterfully into a film score by Herschel Burke Gilbert. I hope so!
|
|
|
|
|
 |
duplicate. Sorry!
|
|
|
|
|
|
|
|
|
 |
Nobody considered it worthwile to release any of the Herrmann titles from Universal thus far - so think about the chances for Skinner
|
|
|
|
|
 |
duplicate. Sorry!  That's what their mom said.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
 |
 |
Posted: |
Apr 21, 2012 - 11:40 PM
|
|
|
|
By: |
MMM
(Member)
|
Also post-1960 from Skinner are: Tammy and the Doctor (1963) Bullet for a Badman (1964) The Sword of Ali Baba (1965) These re-used music from previous Skinner scores. In reality... TAMMY AND THE DOCTOR used a lot of music by Percy Faith from TAMMY TELL ME TRUE, as well as having old music by Herman Stein, Henry Mancini, Skinner, and many, many others. It was an entirely-tracked score, with over a hundred individual pieces of music. BULLET FOR A BADMAN featured tracked music by Stein, Salter, Skinner, Mancini, Irving Gertz, and William Lava. Skinner only wrote about 40% of the music heard in the movie, and none of it was original. THE SWORD OF ALI BABA contains music by Skinner, Salter, Stein, Lava, and Mancini, 144 cues in all, and Skinner's music takes up less than half the score.
|
|
|
|
|
|
|
|
|
|
|
 |
 |
 |
|
|
 |
 |
 |