Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Nov 8, 2010 - 5:21 PM   
 By:   James Goldstein   (Member)

How many buyers of film music -- or even classical -- cannot even read or interpret the instrumentation they hear?

 
 Posted:   Nov 8, 2010 - 5:27 PM   
 By:   soop.broth   (Member)

How many buyers of film music -- or even classical -- cannot even read or interpret the instrumentation they hear?

I think you already know the answer: Most.

So?

 
 Posted:   Nov 8, 2010 - 5:41 PM   
 By:   mastadge   (Member)

This is not an experiment. It is a question.

And I cannot (even) read music.

 
 Posted:   Nov 8, 2010 - 5:57 PM   
 By:   Mr Greg   (Member)

I can, but I'm often very jealous of people who can't.

 
 
 Posted:   Nov 8, 2010 - 6:02 PM   
 By:   TJ   (Member)

Interpret? What does that even mean in this context?

...I think of Will Farrel's lyrical dancing in Old School....

 
 Posted:   Nov 8, 2010 - 10:46 PM   
 By:   Ebab   (Member)

Read the instrumentation they hear? Interpret the instrumentation? I don't understand which process you're referring to.

 
 
 Posted:   Nov 9, 2010 - 1:29 AM   
 By:   Thor   (Member)

Me neither, to be honest.

Do you mean how many people can read music (as in score sheets)?

I certainly think I can interpret film music as an aesthetic artform, which - in fact - I did for a living for several years; what its functions are, how it works in context and so on. But I have a feeling that's not what you're looking for.

 
 Posted:   Nov 9, 2010 - 1:31 AM   
 By:   Urs Lesse   (Member)

Do you mean how many people cannot identify a musical instrument they hear in a track of music?

Like "This is a violin, that is a guitar, this is a piano..."?

 
 
 Posted:   Nov 9, 2010 - 2:17 AM   
 By:   Brian D. Mellies   (Member)

I guess what you're asking is can I read music. Yes.

I have been a musician of one sort or the other most of my life. I started studying music at the age of seven, which would be more than fifty years ago now (don't remind me!). I hold a couple of music degrees in this and that, so I guess that probably qualifies me to answer you in the affirmative.

However, that is a mere pittance of knowledge when compared to most serious musicians.

I remember a story Elmer Bernstein related in the liner notes of one of his recordings. He was young and at 20th Century-Fox. He went to the Commissary for lunch and joined the composer's table. He says all the Fox composers were there. I would assume that probably meant Goldsmith, Herrmann, Newman (in fact he specifically mentions them), Friedhofer, maybe Waxman, and a couple of others. He sat down at the table and listened to a rather heated discussion. They were ripping one of the Beethoven Piano Concertos to shreds, complaining there were no new thoughts in it, that Beethoven was "selling out" when he wrote it, that it was third rate music at best, etc., etc., etc.. Beethoven! The young Bernstein thought "What the Hell have I gotten myself into?"

My point is, sometimes it's perfectly fine to just listen to the music and enjoy it. No degree required.

Composers, regardless of what medium they are writing for, are writing music they know will be heard by the general public.

 
 Posted:   Nov 9, 2010 - 2:28 AM   
 By:   Juan Carlos García Cortés   (Member)

Me!

 
 
 Posted:   May 15, 2012 - 7:35 PM   
 By:   dan the man   (Member)

I brought this one back because i can't really understand what the question was meant to be , maybe on this second round we can understand what is the real question, is it can we read music? indentify the instruments in a score ?or maybe what i think, do we have the talent to comprehend what is a good film score for a motion picture?

 
You must log in or register to post.
  Go to page:    
© 2013 Film Score Monthly. All Rights Reserved.