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Perhaps it was the goatee that threw him. You'd think that after a twenty-second vanity logo (with sound fx!) they'd give Sol (and Gerald) a little more screen time. Can't wait to see who shows up at the end of his "Amok Time" analysis.
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I saw "The Doomsday Machine" dozens of times in the 1970s and 80s, but the CD was still a revelation. The sad, thoughtful parts really come out to be savored.
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If only it were that easy! I'm sure there are many more fighting men in that film than there ever were security guards in any Trek episode . . . (--Although, now that you mention it, I do remember a poor redshirted soul named Lt. Kaplan who met his maker in the second-season Trek episode "The Apple." He was struck by a cartoon bolt of lightning, courtesy of the great paper-mache reptile-headed god Vaal. There was nothing left of the guy but a black spot on the studio floor.)
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The video is spot on. "The Doomsday Machine" is one of my favorite space opera scores, having all of the scope of a Star Wars or Last Starfighter or Starship Troopers. It also proves what a lot of television music from the era does, that you don't necessarily need a huge orchestra for muscular music, just intelligent orchestration. Fred Steiner's short suite of "The Doomsday Machine" gets a lot of flack, but I think that it's an engaging variation for a larger orchestra. Tony Bremner's recording of "The Enemy Within" is essential, though.
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As a kid when I first saw this episode in reruns on Channel 11 WPIX here in NY, I was not listening for the music, but it impacted the drama, and was unforgettable. Ha! A local! Thats the same station I watched it on as a kid too! Me too. :-) 11 Alive!
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