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I don't know how closely people are paying attention...or have the money to buy these things...but it never fails: the second something sells out, I get an email asking if we have one more copy. Don't be that guy!
These are the FSM CDs that will not be repressed for which there are 200 copies or fewer remaining:
Two Weeks in Another Town (Raksin) 57
Miklos Rozsa Treasury 73
Guns for San Sebastian 89
The Egyptian ($4.95 clearance) 97
The Cincinnati Kid: 5CD Lalo Schifrin set 104
Point Blank/The Outfit 106
The Glass Slipper 2CD Kaper (gorgeous!) 112
Prince of Foxes 138
Green Mansions (Kaper/Villa-Lobos) 143
The Yakuza (Grusin) 146
Moonfleet (Rozsa) 147
Lust for Life (Rozsa) 150
Adv of Huck Finn (Moross) 150
The Appointment 156
A Guide for the Married Man (Williams) 160
Cimarron (Waxman) 160
Fastest Gun Alive/House of Numbers 164
Farewell My Lovely/Monkey Shines 174
Toys in the Attic (Duning) 174
Invitation/A Life of Her Own 178
The Bravados 179
The Wrath of God (Schifrin) 185
The Stripper/Nick Quarry 185
100 Rifles (Goldsmith) 193
The Wonderful World of the Bros Grimm/The Honeymoon Machine 196
I'll Cry Tomorrow (North) 197
Thanks
Lukas
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In praise of GUNS FOR SAN SEBASTIAN one great MORRICONE'S SCORE a must have.
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Inventory currently shows we have made 2500 units and have 545 in stock of The World, the Flesh and the Devil. Not sure when I wrote we only had 62 left but either we made more or that was an erroneous inventory count.
Lukas
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The first section of the movie is wonderful, when Belafonte explores the empty canyons of New York City. These were startling images in 1959, in the midst of the Cold War.
When he meets Stevens and Ferrer, the momentum palls, and we're mired in another triangle romance, sort of. (Although, given the period, even that is Oh so very delicately handled....)
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Posted: |
Feb 13, 2012 - 10:13 AM
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By: |
Angelillo
(Member)
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The first section of the movie is wonderful, when Belafonte explores the empty canyons of New York City. These were startling images in 1959, in the midst of the Cold War.
That's the best part and some images - long before cold CGI images - are very impressive (Lincoln Tunnel, Brooklyn Bridge...).
But, honestly, that guy talks too much...
When he meets Stevens and Ferrer, the momentum palls, and we're mired in another triangle romance, sort of. (Although, given the period, even that is Oh so very delicately handled....)
The final shot always baffles me : is it a clear statement of a forthcoming ménage à trois or am I too french ?
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Will the FSM Print Archive DVD ever be made available again at SAE? Figured that one was homemade, and would remain in print ad-infinitum.
Yes, it should - let me ask them what's up.
Lukas
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