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I'm guessing that writer in the Wall Street Journal was Terry Teachout. He writes on all manner of cultural issues in the WSJ and on his blog -- not just music, but literature, theater, film, etc. (Recently, he's written a well-reviewed biography of Louis Armstrong.) He's often written without the expected snobbery about film music and its composers. He included Rozsa's violin concerto on his list of the 100 most important classical compositions of the 20th Century, and he wrote eloquently on the passings of Goldsmith, Bernstein and Raksin.
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I cannot vouch personally the the information provided below represents the "complete" score, so I'll just say "expanded".
Including unreleased score, album alternates, source music (not by Jerry), the expanded score is 52:33. The Varese re-issue is 31:17. Not just a few tiny cues.
Unlreased film score (counting film versions, too):
12 cues, approximately 16 minutes of score.
Three album verisions.
Source cues:
Five pieces.
Just the film score and album alternates:
Approximately 37 minutes. That's about seven more minutes of score.
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I can't find this on Varese's site any more - did it go out of print?
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It was down to 50 copies recently, according to Google.
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Ah, good. Maybe another label can release a complete version now.
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