 |
|
|
 |
 |
 |
|
|
 |
 |
 |
|
|
|
|
|
|
 |
I'm a Debney fan, and the samples sounded good, so I ordered it... but man oh man, what a turkey of a film.
|
|
|
|
|
|
|
|
|
 |
It's funny how people wants Debney to get big proyects but when he does (Iron Man, Predators, etc) he's bashed. Anyway, he has the upcoming I, Alex Cross (and recently, The Double).
|
|
|
|
|
 |
It's funny how people wants Debney to get big proyects but when he does (Iron Man, Predators, etc) he's bashed. Anyway, he has the upcoming I, Alex Cross (and recently, The Double). I don't bash Debney. While I enjoy his softer, more melodic scores better, he's written solid scores for bigger action features like the 2 mentioned above. And the reason I want him to get better assignments is so that he gets more recognition and pay. He does seem to be overlooked for the most part.
|
|
|
 |
 |
 |
|
|
 |
 |
 |
| |
|
|
|
 |
|
 |
|
|
|